Nicole Berry, director of Manhattan's Nathan Bernstein Gallery, is an art historian, curator, adviser and critic.
Golding's renown as an art historian has obscured the fact that he considered painting his primary occupation.
Francesca Dal Lago, an art historian and critic specializing in 20th century Chinese art, is a Ph.
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But this is misleading, says Kevin Moore, an art historian who is the author of a new biography.
When I smell a fragrance my approach is similar to an art historian.
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While Dr Brady is, by training, an anthropologist, and so directs the team's efforts to compile an ethnography of the present-day game, Dr Aguilar is an art historian.
But it was photographed for a project to put all of the UK's oil paintings on the BBC Your Paintings website, where it was seen by an art historian.
"He felt he was actually cutting into the color itself as he made these pictures, " says John Elderfield, an art historian, chief curator emeritus at the Museum of Modern Art and consultant to the Gagosian Gallery.
Majewksi is drawn to bringing art to life: he wrote the screenplay for 1996 film " Basquiat, " about the life of New York artist Jean-Michel Basquiat, and directed 2004 film " The Garden of Earthly Delights, " which follows an art historian entering into Hieronymus Bosch's famous triptych.
The prime mover of the Arte Povera movement was an Italian art historian named Germano Celant, who conceived Arte Povera in the service of an argument.
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The majority was easy plunder for an ambitious art historian out to make a point.
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Professor Anderson cites a recent book on late Titian by Lionello Puppi, an Italian art historian, that indicates Pomponio was cruel to his other siblings.
He avoids jargon in his writing and is an entertaining art historian, as is shown by his popular television series on Spanish and Russian art, and by his weekly art criticism.
Normally, baroque artists covering up an existing fresco would scrape it off, art historian Fernando Lopez told the Associated Press.
The first was his insistence that, since painting involved representation, any halfway-decent art historian needed to start from an understanding of how people look and see.
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