Both projects aim at providing increased access to audiovisual productions, in particular films, with local content.
In 1996 he defied strong internal opposition to successfully market Vaio computers, which integrate with Sony's audiovisual equipment.
This is becoming a bigger issue as PCs try to masquerade as audiovisual components in the living room.
It's a fun weather app with fluid animations and an audiovisual interface that is both simple and addictive.
The preservation of audiovisual heritage is a complex task that requires costly resources.
Our audiovisual heritage is rich and vibrant -- it is also extremely fragile.
Visitors can use tablet computers to learn about UNESCO activities by listening to audiovisual presentations delivered by UNESCO Staff.
Its membership is drawn from public and commercial broadcasters, national audiovisual archives and technical companies catering to the broadcasting industry.
This World Day raises awareness of the importance of audiovisual documents as integral parts of national identities and the world's memory.
The Forum was established in order to act as an organ for ensuring the preservation of audiovisual collections for future generations.
The 26th "Audiovisual Universe of Latin American Childhood" Seminar is taking place from 10 to 14 December in the Cuban capital.
He also explained the importance of including in the future constitution the independence of regulatory bodies on public and private audiovisual media.
The Day was established in 2007 by UNESCO in cooperation with the Co-ordinating Council of Audiovisual Archives Associations (CCAAA) and other partners.
More seriously, perhaps, the governmental arbitor of televisual taste - the Audiovisual Council, is to discuss Loft Story at its meeting on Wednesday.
But it does seem fair to assume that not every pirated copy of an audiovisual work represents lost revenue to the content producer.
The workshop presented some of the videos which will be produced online in the framework of an audiovisual campaign around the African Youth Charter.
The call for proposals came within the framework of UNESCO's Project "Harnessing ICTs for the audiovisual industry and public service broadcasting in developing countries".
Heritage preservation has always required tremendous efforts, but audiovisual records are far more endangered and more than other media necessitate greater measures for their protection.
The world's entire audiovisual heritage of the last century is endangered.
The World Day for Audiovisual Heritage can be a means of building global awareness of the various issues at stake in preserving the audiovisual heritage.
The treaty was adopted at the World Intellectual Property Organisation's (WIPO) Diplomatic Conference on the Protection of Audiovisual Performances, which concluded in Beijing on Tuesday.
Their ultimate goal is to use the results to inform the forthcoming National Strategic Plan for the Audiovisual Sector in FYROM planned for the period 2013-2014.
Too much of the world's 20th century audiovisual heritage is now lost, and much more is slipping beyond recovery because of neglect, natural decay and technological obsolescence.
The Opera Research Institute of the Chinese Academy of Arts maintains a rich collection of written and audiovisual resources and conducts research into a wide range of areas.
The signing of this treaty marks the end of nearly 20 years of international negotiations on how to protect IPRs for performances in audiovisual formats, Beijing News reports.
Proclaimed by UNESCO in 2005, the World Day for Audiovisual Heritage is a commemoration of the adoption of the Recommendation for the Safeguarding and Preservation of Moving Images in 1980.
The SIDACULT EDUCATION Workshop is organized with the objective of developing the skills of Cuban teachers in the use of audiovisual means as a way to educate in gender equality.
The opening of nominations coincides with World Day for Audiovisual Heritage, an international day which calls attention to the value of audiovisual records and the urgent need to preserve them.
Scientific, cultural and educational audiovisual content cross continents on information highways -- the new global commons -- but, for this, States must effectively safeguard this heritage and disseminate it appropriately.
She explained that the Seminar deals with themes of great interest for UNESCO, in relation to culture, education and communication, and their relationships with audiovisual production and the new generations.
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