The "sensuality" could mean Bruce Wayne (Christian Bale) gets horizontal with a cat-suited Selina Kyle (Anne Hathaway).
Batman's alter ego, Bruce Wayne, is an old-money heir and the owner of Wayne Enterprises, a massive international-technology conglomerate.
This is the kind of arena that Bruce Wayne would bring a date.
Christian Bale is the placid Bruce Wayne, a swank gent in Armani suits.
Ironically, Stark does more detective work here than Bruce Wayne has done in pretty much all seven Batman movies combined.
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It takes Nolan quite a while to get Bruce Wayne out of his dressing gown, much less back in black.
It first appears at the beginning of Batman Begins, when a young Bruce Wayne falls into a well full of bats.
Psychologically at least, that's an important threshold for " The Amazing Spider-Man" -- especially with Bruce Wayne on deck at the multiplex.
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But then "Batman Begins" doesn't want to be another mindless action adventure, just as Bruce Wayne doesn't want to be a vigilante.
The scene from Batman Begins where Bruce Wayne and his parents were being robbed outside of the movie theater flashed into my mind.
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No, Bane is not an avatar for OWS. Bruce Wayne is not a small-government hero come to ward off the squalid, criminal masses.
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In both of the new Batman movies he has played Lucius Fox, the man behind the gadgets that help Bruce Wayne become a superhero.
This time, Bruce Wayne (Christian Bale), dragged from a wasteful retirement, takes on a brute named Bane (Tom Hardy), who is masked and barely comprehensible.
Bruce Wayne now has a beginning, a middle, and an end to his epic Batman mythology, and that is an accomplishment that cannot be overstated.
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We see how Bruce Wayne (Christian Bale), the compulsive loner and eccentric billionaire, has transformed himself into Batman, the scourge of evil and savior of Gotham City.
The Dark Knight Rises is a fitting emotional and narrative conclusion to this particular interpretation of the enduring story of Bruce Wayne the man and Batman the legend.
The roots of Bruce Wayne's emotional problems are explored exhaustively, and exhaustingly -- anger stemming from the murder of his parents, guilt from his failure to avenge it, plus a Rosebuddy fear of bats.
Do you think this is more likely what Warner Bros. would do, or at least something similar to this, rather than just continue a Batman series and launch a Justice League franchise without Bruce Wayne under the cowl?
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Black Mask is a character whose true identity is Roman Sionis, a wealthy businessman who hates Bruce Wayne, and who is bad at legitimate business but has a knack for criminal business and who is obsessed with destroying Bruce Wayne.
All of this produced the handsome, morose man we encounter at the very beginning of "Batman Begins, " when Bruce Wayne, wandering the mountains of Asia in search of wisdom, is approached and temporarily seduced by a vigilante group called the League of Shadows.
True, we see a handful of rich white men being ejected from fancy apartments, but then the film coughs politely and moves on, as if recalling that nobody is richer or whiter than Bruce Wayne, and that his apartment is, in fact, a castle.
The current film makes a case for Bruce Wayne being a deep-dyed depressive at the outset, given all the guilt he's been internalizing since childhood, but he remains pretty glum even after liberating himself -- or so one would think -- through his costumed alter ego.
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