For Pinault, the silver brush strokes evoke mountains, and he sees the painting as a meditation.
He argues that investors should be wary of broad brush strokes that tout value while discounting growth.
Mr Thackara has Tolstoy's talent for painting the grand with small brush strokes.
Foliage, tree trunks and verdant meadow are stippled with tiny brush strokes.
WSJ: River Romantics | The Panoramic River | Hudson River Museum | By Barrymore Laurence Scherer
Given a choice between an exhibit of German Expressionist paintings and a hike up some soul-stirring hill, I'll take the thick brush strokes and green faces every time.
The cost drops 30% on a Mediterranean hand-painted dinner plate if you get a painter to use a sponge cut in the shape of a leaf instead of laboring over brush strokes.
His first attempts emulated Canaletto's controlled brush strokes.
The hieroglyphic qualities and broad brush strokes of two of his masterpieces, "Ancient Script Mandala" (1968) and "Frolicking Birds and Beasts in Yin Script" (1969), are clearly influenced by the more primitive scripts found in bronze castings.
In every room there is a sense of serenity, whether the children are practicing brush strokes for calligraphy, tumbling around in judo or gliding their little fingers over the harmounia, a type of piano used in music class.
Henri's disciples were known collectively as the Ashcan School, partly because of the lowlife subjects they painted, but also because of the gritty, expressive handling of paint, which you can see in the swift brush strokes of "Forty-two Kids, " and Bellows's famous painting of an illicit prizefight, "Stag at Sharkey's" (1909).
WSJ: Review: Escape to New York | George Bellows at the Royal Academy in London
In broad brush strokes: was Professor Longley asked to use all his knowledge and expertise to sift through the evidence and come to a conclusion about whether change was needed in the NHS (with a tacit acceptance on all sides that the answer was pretty much bound to be yes) and suggest what those changes should be?
It took about a month to make all three paintings, a process that was slowed by Mr. Boyle's request that Mr. Cobb shoot stop-motion photographs every few brush strokes, for a sequence toward the end of the film in which the painting gets "unpainted" so that the audience can appreciate all the layers involved in creating the work.
His figures were roughly a centimetre tall, most made with two deliberate strokes of the brush, and allowed to fade away as his paint ran out, like the trailing tail of a comet.
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