• The play darkens, naturally, for the Surinam act, but equally naturally it becomes predictable: the chain gangs, the brutal punishments, the odious English slave owners, though Mr Bandele keeps Behn's one good white, the Governor's agent Mr Trefry, to balance Orumba.

    ECONOMIST: Theatre at Stratford

  • Tina, at fifty-three, is still performing and recording, and in the absence of the snuffed-out-in-her-prime option, the screenwriter, Kate Lanier, and the director, Brian Gibson, have constructed the movie as a kind of feminist survival story: Tina (Angela Bassett) rises to fame as part of a husband-and-wife act, the Ike and Tina Turner Revue, but then breaks away from her brutal, domineering spouse (Laurence Fishburne) and climbs back to the top of the charts on her own.

    NEWYORKER: What��s Love Got to Do with It

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