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Close-up shots required switching the lens to macro mode and getting incredibly close to my subject, rather than flipping the zoom toggle and maintaining a safe distance.
ENGADGET: IRL: Sony's Cyber-shot DSC-RX100 and the full-frame RX1
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Coupled with the camera's Macro mode, which allows photographers to capture dramatic close-up images of subjects as near to the lens as 0.4 inches, the X-5 delivers an extensive range of creative photographic possibilities.
ENGADGET: Pentax intros X-5 superzoom camera with 26x lens, tiltable LCD
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Canon's PowerShot SX260 HS camera delivers a powerful 20x Optical Zoom and 25mm Wide-Angle lens with Optical Image Stabilization delivers stunning images from up close or at a distance and measuring just 1.29-inches thick.
ENGADGET: blogger-avatar
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Beyond their zoom power, the cameras' impressive 25mm wide-angle lens takes in sweeping vistas, group shots and up-close macro images.
ENGADGET: Olympus reveals SZ-15, SZ-16 superzoom cameras with upgraded sensors
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In macro mode, which can be set by pushing the zoom ring forward while depressing the macro button on the side of the lens, focusing is possible between 8 and 20 inches for close-up shooting with a maximum image magnification of 0.72X (35mm camera equivalent).
ENGADGET: Olympus unveils a cavalcade of point and shoot cameras and a PEN lens at CES
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The KONICA MINOLTA HD LENS assures high quality images, while a 40x Optical Zoom enables close-up shots from far away, with no sacrifice in optical quality.
ENGADGET: JVC's 2012 Everio 1080p camcorder lineup gains WiFi, enables geotagging and remote control via smartphone
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For those looking to capture a beautiful and sharp image up close or at a distance, the new COOLPIX P520 boasts a 42x optical zoom-NIKKOR glass lens with an impressive zoom range from a wide 24mm to a whopping 1000mm (35mm equivalent), for users that require the very best in performance and versatility.
ENGADGET: Nikon updates Coolpix compact lineup with S9500, sub-$200 S5200 and L28
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Using a tripod and a 210 mm lens, Mr. Fujiwara was able to open his film with a steady, up-close shot of wreckage in the 12-mile no-entry zone surrounding the plant, where he filmed for 10 days last April before the area was cordoned off.
WSJ: At the Berlin Film Festival, Three Visions of Japan After the Fukushima Disaster