Even the food looks at ease the breezy, colorful plating is ready for its country-cookbook closeup.
He was put up in the condo owned by Changhong, ready for his closeup.
One episode began with a severe closeup of her eye, fanned by delicate lines.
With his hair hanging low over his forehead, Ashton Kutcher, seen in closeup, looks like a pensive mushroom.
As Juliette, Kristin Scott Thomas is first seen in closeup without makeup, her hair lustreless, her expression blank but tense.
In 1609, Galileo heard rumors about a Dutch gadget that gave you a closeup look at faraway ships and distant buildings.
Look at Amy Adams in closeup, for instance, all the scarier for being so perky and correct, her features filling the screen as she quizzes the reprobate.
Madonna, it would seem, cannot meet a fantasy without wanting to indulge it, and the film fritters itself away in wisps of closeup and snatches of song.
By the time humanity got its first closeup view of Mars, a little less than a century after Schiaparelli mapped it, the planet had come to seem like a second, more exotic Earth.
Seen properly, the best early movies were a revelation, particularly the sight of actors in closeup filling a screen fifty feet or more across the diagonal, they presented a new landscape of flesh that astonished viewers.
At first, we see only what Bauby (Mathieu Amalric) sees: a blur of faces, which turn out to be the doctors and nurses at the hospital, who float into view in fearsome closeup, like deep-sea monsters.
The first shot in the series is a closeup of an intense young man, Freddie Lyon (Ben Whishaw), practicing his pitch to the head of the news department, to try to get on the new show.
That everything should go wrong is no surprise, but the wrong turns are taken so viciously Gershon, in particular, is appallingly treated, in closeup that they lead the film, adapted from the play by Tracy Letts, to the brink of abusive farce.
Click on through for a closeup.
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From the early closeup of turquoise toenails to the serene tableau of women, of every age and outline, showering and chatting after a swim, Polley shows that her real theme, her obsession, almost, is the body in time how it tenses and eases, whether in the course of decades or in a single, camera-encircled rondeau of sex.
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