But the artist can't quite bring himself to stake his entire worth on straightforward, muted, color-field painting.
WSJ: Our Next Art Capital: Portland? | By Peter Plagens
After he bought the Calder and the Tomlin, Kirshenbaum wanted a piece by Josef Albers, a German-born Bauhaus artist who pioneered so-called color field painting, in which large blocks of color are spread across a canvas.
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