The show was like walking into a garden of organza peonys, crepe-de-chine azaleas and ivory silk faille trimmings.

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In Mr. Gomes's showcase, Jorma Elo's awkwardly titled "Still of King, " the dancer looked ballet-classical in uncredited costuming of cream tights and crepe-de-chine "Romantic" shirt, but the classic costume design turned out to be a gag for the choreographer.

WSJ: Kings of the Dance, Opus 3 | Royalty Made Common | By Robert Greskovic