The dark-toned cinematography, by Tom Stern, is as redolent of the past as old leather and walnut.

NEWYORKER: The Man in Charge

At the inn, soft lighting, dark wood, earth-toned upholstery and beaten metal adorn the guest rooms, lobby and bar area, while the pockmarked cement in the front entryway emulates ancient flagstone.

FORBES: To Ski Or Not To Ski