Its filming at lets say 60 frames per second, or if its really good, 120 frames per second.
Several digital cameras and camcorders today feature "slow-mo" modes of 240 frames per second or even 600 frames per second.
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The LUMIX GH2 also features faster AF, reducing detection time for focusing to approximately 0.1 second3 by doubling the drive speed from 60 frames per second to 120 frames per second.
The SH-50 iHS is equipped with an Advanced Movie mode for powerful video recording functions including Photo-In-Movie that captures a full 16-megapixel still image while simultaneously shooting Full HD movies and High Speed Movies for 120 frame per second shooting in 720p HD and 240 frames per second in HVGA. The STYLUS SH-50 iHS includes 60i Movie--60 frames per second HD recording--for smoother images of moving subjects.
Videographers have more flexibility shooting video on the 5D Mark III as well, with video resolution of 1080p at 24, 25 and 30 frames per second, and 720p at 24, 25, 30 and 60 frames per second.
Many people like to discuss HD formats not only in their resolution but also the amount of frames displayed per second (720p60, 1080p30, etc.), and while lower frames per second is just fine for movies, it might not be as good for things like sports and videogames.
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Shot at 48 frames-per-second, the 3D version of the movie doubles the normal 24 frames-per-second most films are shot in.
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The number of shooting frames per second is 30 frames.
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With recent improvements in three-dimensional motion analysis, House is able to analyze motion at 1, 000 frames per second, up from 32 frames that the human eye can process.
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Second, 720p is 60 fps (frames per second). 1080i, on the other hand, is interlaced and 30 fps (60 fields per second).
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The 3D film has been shot at a rate of 48 frames per second, compared with the industry standard of 24 frames.
Just unbreakable 60 frames per second animation of hundreds of 3D surfaces with physics.
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All movies are displayed in 1080p resolution at 24 frames per second, the cinematic gold standard.
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Slow motion video recording is also possible at a maximum of 108 frames per second.
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Films began projecting (and capturing) at 24 frames per second upon the introduction of sound.
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One major aspect of the visual style of this film is the much-debated 48 frames per second.
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The camera offers a full-frame, 20.2-megapixel CMOS sensor and continuous shooting up to 4.5 frames per second (fps).
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Tournament grade optical sensor 3600 Frames Per Second and supports stable movement speeds at 130 Inches Per Second.
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As I already mentioned, the claims that the 48 frames per second looks bad or cheap are absurd.
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The high frame rate, 48 frames per second, was, yes, absolutely jarring in two scenes near the beginning.
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The movie was shot at forty-eight frames per second, so we get to see every hair of every beard.
The new channel will operate in progressive mode at 50 frames per second.
Tournament grade optical sensor operating at 3600 Frames Per Second and supports stable movement speeds at 65 Inches Per Second.
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Our tests indicated that a PIII system can handle more visual detail and higher resolutions at 40 frames per second.
When you are operating in the 60 frames per second universe, you have precisely 16.666 milliseconds per frame to work with.
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Based on technology from Silicon Valley start-up Generic Media, the software can display images at between four and 10 frames per second.
So instead of seeing a movie at the traditional rate of 24 frames per second (fps), viewers see it at 48 fps.
Apart from the dismal size of the picture, at 20 frames per second the resolution is low and the image is jerky.
The LIVE MOS sensor also allows high speed burst shooting at 5 frames per second in full resolution using a mechanical shutter.
The film will also be available in 2-D, 3-D, Imax and Imax 3-D, all at the rate of 24 frames per second.
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