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That was when the 57-year-old gave Gitanes Blondes -- a sister brand of the cigarettes that were an indispensable prop of Jean-Luc Godard films -- a complete makeover.
CNN: JAPAN'S HIDDEN PERSUADERS
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He previously chaired the jury in 1983 when Jean-Luc Godard's First Name: Carmen was awarded the Golden Lion.
BBC: Bertolucci to lead Venice film festival jury
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Chabrol began his career in 1956, earning his stripes alongside fellow New Wave directors Jean-Luc Godard and Francois Truffaut.
CNN: Veteran new wave filmmaker seduces French starlet Sagnier
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She liked it even more that director Jean-Luc Godard used the same key players in many of his movies.
WSJ: NY Fashion Week: tough, tailored, lots of black
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He describes them as a witty parody mix of Martin Scorcese's Taxi Driver and early Jean-Luc Godard gangster movies.
BBC: Festival celebrates mobile phone movies
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Jean-Luc Godard, ever ready to follow a noble example, has modelled the structure of his new film part drama, part documentary, though not a drama-documentary on Dante.
NEWYORKER: Notre Musique
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The new film from Jean-Luc Godard is carved into two halves.
NEWYORKER: In Praise of Love
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The daughter of parents in Paris's underground theater scene, as a teenager she was cast in prominent roles by the great French directors Jean-Luc Godard and Bertrand Tavernier.
WSJ: 'Before,' and After | Julie Delpy | Cultural Conversation by Martin Johnson
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Along with Jean-Luc Godard, Francois Truffaut, Claude Chabrol and Jacques Rivette, all former film critics, he helped pioneer an informal film movement that turned traditional notions of narrative and style on their head.
CNN: STORY HIGHLIGHTS
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On Easter Sunday, Jean-Luc Godard as Professor Pluggy, a solitary inventor striving to reinvent the image makes the petals pop back onto the flowers of spring through the miracle of reverse photography and expires from the effort.
NEWYORKER: King Lear
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His contemporary Jean-Luc Godard may have stolen the intellectual limelight, as Pablo Picasso did from Henri Matisse, but as the years pass Mr. Truffaut's unashamed passion and exuberant skill confirm him as the most lovable of all French New Wave directors.
WSJ: Jules and Jim | For the Love of a Fickle Woman | Masterpiece by Peter Cowie