Donatello also produced the show's most dramatic work, the monumental 2.7-meter-tall bronze horse's head known as the Carafa Protome, the sole surviving element of an unfinished equestrian statue, paired here with the smaller 4th-century B.
To some, the purchase was a head-scratching gambit: The sport of horse racing is perceived to be dying a slow, inexorable death, an ember of the 20th-century sporting scene, like boxing.
After a few days of preliminary drinking and dancing in costumes that combine the best aspects of traditional Andean horse-riding gear with the most nightmarish aspects of traditional acid trips, the residents of Santo Tomas wake up and head to the local bullfighting ring to beat each other silly.