• John Rabe (Ulrich Tukur) was a German businessman and Nazi Party member who ran the Siemens plant in Nanking, China, in the thirties.

    NEWYORKER: John Rabe

  • Julianne Moore plays the poor Irish beauty Barbara Daly, who, in the thirties, marries Brooks Baekeland (Stephen Dillane), a passively egotistical heir to a great fortune.

    NEWYORKER: Savage Grace

  • Pre the introduction of the iPod Apple sold in the thirties (with a double digits valuation only because it carried a lot of cash on the balance sheet).

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  • Lana and Andy were going to direct the nineteenth-century story and the two set in the future, while Tykwer took the narratives set in the thirties, the seventies, and the present.

    NEWYORKER: Beyond the Matrix

  • Generically boxed as "Carole Lombard in the Thirties" from TCM's Vault Collection, "No More Orchids, " "Brief Moment" and "Lady by Choice" each from Columbia Pictures and new to DVD are not essential viewing.

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  • Roosevelt in the thirties.

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  • Blackstone and Fortress languish in single-digits, down form post underwriting highs in the low thirties.

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  • Believe me, in the low thirties it took some moxie.

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  • Whorf never got an advanced degree, but he took graduate classes in his free time with the anthropologist and linguist Edward Sapir, in the nineteen-thirties, and he devoted his leisure hours to the study of Native American languages.

    NEWYORKER: Utopian for Beginners

  • It was celebrated in the nineteen-thirties, in Paris and New York, when it was photographed by Man Ray and Walker Evans.

    NEWYORKER: Faces in Time

  • He was the lion of the international movement in social-realist public art, which peaked in the nineteen-thirties.

    NEWYORKER: The Painting on the Wall

  • In the mid-thirties, Hanwell Snr went to Canada, an attempt to make his fortune in logging.

    NEWYORKER: Hanwell Senior

  • The old Three Stooges shorts were made in the nineteen-thirties and forties, and if you watch them now they look cramped, airless, and smudged.

    NEWYORKER: Funny and Funnier

  • If an American born in the nineteen-thirties has an I.

    NEWYORKER: None of the Above

  • Gaby Mitchell, is set in rural Tennessee in the nineteen-thirties, and it looks a treat, down to the last button too much of a treat, perhaps, for what begins as a study of impermeable loneliness.

    NEWYORKER: Get Low

  • But, starting in the nineteen-thirties, music soundtracks were added to silents, and the films needed to move through the projector at twenty-four frames a second, so that the optical sound reader could handle the music track.

    NEWYORKER: The Artists

  • The four women are all good friends and all in their mid-thirties (with the exception of one in her forties).

    FORBES: The Legacy Of Carrie Bradshaw And Reaching Financial Success

  • Starting in the early nineteen-thirties, Zweig wrote a number of full-length biographies.

    NEWYORKER: The Escape Artist

  • At 11 in the evening in a very busy area outside the opera on the Ramblas, he was surrounded by the three man in their thirties who slipped his wallet out of his pocket along with 400 euros, his credit cards, and his passport and identification.

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  • He told me a little about their lives out there on the ranch in the late nineteen-twenties and during the early thirties.

    NEWYORKER: Beginners

  • Eastwood and the screenwriter Dustin Lance Black have re-created that period in the nineteen-twenties and thirties when a righteous young man with a stentorian style could electrify a nation.

    NEWYORKER: The Man in Charge

  • A. had a political arm, it opposed some gun-control measures and supported many others, lobbying for new state laws in the nineteen-twenties and thirties, which introduced waiting periods for handgun buyers and required permits for anyone wishing to carry a concealed weapon.

    NEWYORKER: Battleground America

  • Walking back to the subway I passed a chubby man in his early thirties selling Northface and Burton trucker style hats on the sidewalk.

    FORBES: Connect

  • The movie follows a pair of male Beijing Opera performers, Cheng Dieyi (Leslie Cheung) and Duan Xiaolou (Zhang Fengyi), from their school days, in the nineteen-twenties and early thirties, to their farewell performance together, in 1977.

    NEWYORKER: Farewell My Concubine

  • Seen here in his mid-thirties, just four years removed from the acrimonious breakup of the most successful double act in the history of show business, Lewis is comedically fearless, so much a force of nature that he literally has Paar climbing the walls.

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  • Elsewhere, writers have described a shrinking of sentence length in the average newspaper since the nineteen-thirties, probably because of radio.

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  • In his early thirties and frustrated by the slow pace of his career, he asked an executive he admired for some advice.

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  • Stuart, a star of the nineteen-thirties, was less than a generation younger than Dorothy Gibson, the lead in the 1912 film.

    NEWYORKER: Unsinkable

  • Though he was only in his mid-thirties, a graduate of the University of Michigan, it was rumored that he had been a paleontologist and had taught at Yale.

    NEWYORKER: The Master

  • The teacher was a single woman in her mid-thirties, a fair-minded, warmhearted person.

    NEWYORKER: Town of Cats

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