But the texts don't mesh, and the interpolated situations (women are jailed and beaten) and the fragments of character development (Mary Magdalene is a suicidal neurotic, Martha a passionate do-gooder) read more like random bits of political correctness and sexual politics than organic storytelling.
The reports were encouraged by his character in his self-titled sitcom, a neurotic New York bachelor, always avoiding marriage after somehow finding a fatal flaw in his girlfriends.