-
Our guess is that we are simply painting with a brush that is too broad.
FORBES: Gen Ys! You Will Listen!
-
"That's the thing with sports now, " Youkilis continued, painting with a broader brush.
WSJ: Kevin Youkilis: Here, It's Different
-
In financials, where correlation of performance is high for the properties with major weightings, painting with a broad brush works better.
FORBES: Where To Load Up, Where To Go Lightly In Russell Growth, S&P 500
-
It was like painting a stripe with a brush that's only half its width.
FORBES: Trick Of The Light
-
Mr Thackara has Tolstoy's talent for painting the grand with small brush strokes.
ECONOMIST: New American fiction 3
-
At the risk of painting with a very broad brush, it is safe to say Malays have a thing for food, especially good street food, and as such a great place to see Malays at their most relaxed and happy is Georgetown's many hawker stalls.
BBC: Penang: Malaysia in miniature
-
Inspired by Morris' painting, Suzy took up the brush, creating witty abstractions that often incorporated bits of sheet music and pieces of opera programs.
FORBES: Cubists In Love
-
Painters can think all this want about painting, but until they pick up a brush, there is no picture.
FORBES: Extremely Successful People Have a Message For The Rest Of Us: 'Get Off Your Butt'
-
For Pinault, the silver brush strokes evoke mountains, and he sees the painting as a meditation.
WSJ: Collecting Art With Fran?ois Pinault
-
Henri's disciples were known collectively as the Ashcan School, partly because of the lowlife subjects they painted, but also because of the gritty, expressive handling of paint, which you can see in the swift brush strokes of "Forty-two Kids, " and Bellows's famous painting of an illicit prizefight, "Stag at Sharkey's" (1909).
WSJ: Review: Escape to New York | George Bellows at the Royal Academy in London
-
It took about a month to make all three paintings, a process that was slowed by Mr. Boyle's request that Mr. Cobb shoot stop-motion photographs every few brush strokes, for a sequence toward the end of the film in which the painting gets "unpainted" so that the audience can appreciate all the layers involved in creating the work.
WSJ: Forging Ahead With a Goya Classic