You'd be forgiven for thinking you'd wandered into the wrong venue and taken your seat for a classical pianorecital - all that stands before us is a plain stage and a grand piano.
So he invariably asked to have a second piano onstage, because midway through a recital Liszt's powerful playing would result in broken strings and an instrument that was hopelessly out of tune and quite unplayable.
Alfred Brendel, an Austrian pianist, received great acclaim for his recital on the opening night and again, three days later, when he played Beethoven's Piano Concerto No 5 to a packed house.