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New York theater is still very much proscenium-based, and true pop-ups like Kazino are rare finds.
WSJ: Don't Call It Dinner Theater
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And even their most uninventive proscenium shots can create content with revolutionary power in its day.
FORBES: Shooting the Proscenium Arch: How People Fail to Realize Technology's Potential
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Early radio broadcasters whose announcers read directly from newspapers were shooting the proscenium arch.
FORBES: Shooting the Proscenium Arch: How People Fail to Realize Technology's Potential
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In the half-light, the proscenium glowed like a bright department-store window, which shadowy people behind it were dressing.
NEWYORKER: The Natural
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Its regal interior contains nearly thirty-eight hundred seats, a square gold proscenium, and a highly mechanized stage, as well as the largest tab curtain in the world, made of gold damask.
NEWYORKER: Metropolitan Opera House
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Poetry, Truth, Love and Chivalry top the proscenium arch.
WSJ: Miracle on 42nd Street
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The fact was that he would have rather been on the other side of the proscenium, and in 1963 he got his wish, becoming the first literary manager of London's National Theatre.
WSJ: Sightings: The Ungenerous Brilliance of Kenneth Tynan
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There, he collapses backward as Stravinsky's final, bleating note cues the escape from within the proscenium space of a silky wisp of pure-white fabric, sending it like a comet into the auditorium ceiling.
WSJ: A Puppeteer's 'Rite' of Passage | Basil Twist | By Robert Greskovic
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As the mind-numbing tech rehearsal rolled on, from my perspective in the orchestra the proscenium blurred and became a kind of silent screen on which the players signalled their meaning through gesture and mime.
NEWYORKER: The Natural
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Tarr is an impressive archeologist of moods and an anthropological mythmaker but his sumptuous and demanding pictorialism seems incidental and ornamental and suggests an aestheticizing vanity that thrusts his sympathies onto the screen like a proscenium arch.
NEWYORKER: The Turin Horse
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On NYLA's wide and shallow stage, outfitted for the occasion with a front curtain to give the appearance of a proscenium, and set austerely as if against a low horizon (by Akiko Iwasaki, who also designed the costumes), "Bell" unfolds more as a patchwork than as an authoritatively layered or structured presentation.
WSJ: Giselle at the D?j?ji Temple | Yasuko Yokoshi | Bell | New York Live Arts | By Robert Greskovic