Pretty much everyone who was everyone (or no one) in the '60s has a cameo, from Lance Loud (of the proto-reality TV show "American Family") to David Weisman, director of "Ciao Manhattan" (1972), the seamy, quasi-biographical film about Sedgwick's druggy collapse in which she starred.
Davis spent his life primarily as a journalist and novelist, but he was also an urban pioneer (or a proto-gentrifier, if you look at it from another angle).