The directors, Jean-Pierre and Luc Dardenne, track the young perpetual-motion machine through his small Belgian city, where he pedals, runs, scampers, dives, and climbs past all clutches, and, when cornered, fights with an animal ferocity.

NEWYORKER: The Kid with a Bike

This creates a sort of government staffing perpetual motion machine, with agencies adding more and more headcount just to satisfy the demands of other government agencies.

FORBES: Government Not Only Too Large, But Spending the Money in All the Wrong Places