Maybe Brad Pitt could have had a reunion with his Thelma and Louise co-star, the raven-haired Geena Davis.

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Think of the smart, independent, buff, ready-to-kill-if-necessary women from Silence of the Lambs, Terminator 2: Judgment Day and Thelma and Louise.

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His prolific CV includes scores for Driving Miss Daisy, Thelma and Louise, True Romance, Gladiator and the last three Pirates of the Caribbean films.

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Thelma and Louise is the archetypal female road trip film.

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As much as the republicans believe they have an election to win, they are more likely to drive off a cliff just like Thelma and Louise.

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Maybe we should all just rent Thelma and Louise again.

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Seriously, would Thelma and Louise (1991) have been the same film had they taken a Greyhound bus to escape their troubles instead of hitting the road in a vintage Thunderbird convertible?

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An avant-garde precursor to Ridley Scott's "Thelma and Louise" (1991), it charts the antics of two girls named Marie as they con lecherous geezers, steal from washroom attendants and set fires all vain attempts to forestall boredom.

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If the Israeli girls had plucked my cowboy-hatted visage from the side of the road because it lent a sense of Thelma and Louise exoticism to their day, I surely destroyed the Brad Pitt mystique once I splashed out into the Galilean water and began to flail around on a rented board.

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