Seems to me it ain't the world that's so bad but what we're doing to it, and all I'm saying is: see whatawonderfulworld it would be if only we'd give it a chance.
Suffering subversion is an occupational hazard for earnest, buoyant music, but WhatAWonderfulWorld is still used in sincere contexts, for example in tribute to the people of Armstrong's hometown New Orleans following Hurricane Katrina.