ABSTRACT:THE ART WORLD review of the Whitney Biennial.

NEWYORKER: Not Like the Other Ones

The end of a bi-polar American art world is what the 2000 Whitney Biennial at least glimpses.

ECONOMIST: Forget the cowboy boots

When you go to the big exhibits, whether it's the Whitney Biennial or the New Museum Triennial or the contemporary art fairs, Native artists aren't represented.

WSJ: Changing Hands | We Are Here! | Native, North American, New | By Lee Rosenbaum

That's a tough challenge for an art museum to master, as was evident at the recent Whitney Biennial, which introduced performances, inevitably time-limited, trying to demonstrate the importance of an artist not being limited to a specific medium.

WSJ: The Concrete Challenges of Abstraction | Inventing Abstraction | By Tom L. Freudenheim