Just as the world without women in Jean Baudrillard story.
如鲍德·里亚无女人的世界。
The theory of Baudrillard has criticized a series of aesthetic categories.
鲍德·里亚的思想批判了近代美学的一系列概念。
And if Baudrillard can't be understood, then he can't be misunderstood, either.
如果鲍德·里亚不能被理解，那他就不会被误解。
Baudrillard has spent the actual differences in other characteristics: joint and symbol.
鲍德·里亚花费实际具有分歧于他人的特色：即与符号的联合。
But while you have Rossi at one end, at the other extreme of your interests you have Baudrillard.
但是你兴趣的一端是罗西，而另一个极端却是鲍德·里亚。
Baudrillard thinks that leisure in consumer society has become cultural signs and an object to been consumed.
波德·里亚认为，在消费社会里，休闲已经成为文化记号和被消费的对象。
Baudrillard considered that in the consumer relations, consumer demand aimed at "does not matter, but the value."
鲍德·里亚认为在消费关系中，消费者的需求瞄准的“不是物，而是价值。”
Baudrillard put forward the theory of simulacrum and meaned that the art create the reality and dispel the reality.
波德·里亚则提出“仿像”说，认为艺术“创造”现实消解生活。
So the research on symbolic logic become an academic focus, the French philosopher Jean Baudrillard is a typical representative.
于是对符号逻辑的研究成为学术热点，法国哲学家鲍德里亚就是一位典型代表。
Based on Baudrillard s theory works, this paper primarily makes a aesthetic research on his important theoretical term-simulacra.
本文立足于鲍德·里亚的理论原著，针对其重要的理论术语——拟像进行美学研究。
Worried about perspective of contemporary new media technologies, Baudrillard has a critical attitude to contemporary mass media.
鲍德·里亚对当代媒体新技术的前景深表担忧，他对当代大众传媒持一种批判的态度。
Simulacres is an existence way of the modern art's works, by which Baudrillard is in order to distinguish the traditional art and the modern art.
而充斥在大众生活周围的拟像是现代艺术作品的存在方式，拟像的盛行改变了传统艺术的存在方式，使艺术的韵味消失；
As Jean Baudrillard showed in his book "Simulacra and Simulation", hyper realistic fake creations flood our lives, and even rise to the apex of culture.
正如尚·布希亚在其书《拟仿物和拟像》中所说的，超真实的人工制品充斥我们的生活，甚至成为了我们文明当中最重要的部分。
Jean Baudrillard with his "sign value" and "consume of sign" attempts to remedy the epoch which Marx doesn't encounter, which has a certain positive sense.
鲍德·里亚提出的符号价值、符号消费，试图补充马克思所未曾遭遇过的时代，这种理论上的努力具有一定的积极意义。
Details of the paper exhibit the following: in the first part, Baudrillard "cost assimilation" thinking of the actual origin and when The Times background.
本文的详细内容布展以下：第一部门，鲍德·里亚“花费同化”思惟的实际本源及当时代配景。
The 20th century, the French sociologist Baudrillard expounded his basic views on the leisure: leisure with a strong symbol is a kind of cultural consumption.
二十世纪，法国社会学家鲍德·里亚阐述了他对休闲的基本观点：休闲是文化消费的一种，带有强烈的符号性。
Thirdly, based on the uncertainty rule, Baudrillard constructed the impossible exchange to form metaphysics, which deconstructs the elements and background of the world.
晚期思想极端化，形成了基于不确定性原则的不可能的交换，以“无”来重构世界存在的要素和背景，形成了荒诞玄学。
When multitudinous scholars were crazily appealing for post-modernism, while Jean Baudrillard was handing a sharp dagger, taking apart the body of the post-modern society.
在众多学者为后现代主义狂呼之时，博德·里亚却手执一把锋利的匕首，剖开了后现代社会的肢体。
"Advertising perhaps is the best mass media of our era", Jean Baudrillard pointed out the tremendous role in promoting consumption of advertisement in the book "consumer society".
“广告也许是我们时代最出色的大众媒介”，鲍德·里亚在《消费社会》一书中明确地指出了广告对消费的巨大推动作用。
The French thinker Jean Baudrillard investigates the contemporary world from the perspective of the social theory of the post-modern consuming society and comes up with new problems.
著名法国思想家让·波德·里亚从后现代消费社会理论角度对当代世界加以透视，获得了新的问题意识。
Jean Baudrillard reveals that the western developed countries have turned into consumption society from production configuration, then the culture attaching on matter has symbol meaning.
鲍德·里亚揭示西方发达国家已经从生产型社会转向了消费型社会，从而文化附着于物更具有符号意义。
Jean Baudrillard reveals that the western developed countries have turned into consumption society from production configuration, then the culture attaching on matter has symbol meaning.
鲍德·里亚揭示西方发达国家已经从生产型社会转向了消费型社会，从而文化附着于物更具有符号意义。
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