之后，余华又于1992年与1995年写出了长篇小说《活着》和《许三观卖血记》充分地显示出余华新的小说创作风格的形成或成熟。
His novels after this, especially his 1992 Surviving and 1995 Stories of Xu Sanguan's Blood Sale, fully manifest the establishment and maturity of his new style.
在余华九十年代的长篇小说中有一组很有精神内涵的少儿形象。
There is a group of children images with rich spirit in Yu Hua′s 1990s novels.
当余华的长篇小说故事性处理妥帖时，便赢得了广大好评；
When Yu Hua' s novel narrative processes is appropriate, then has won the general high praises;
这种观念的转变才是余华小说语言和叙事风格变化的根本原因。这也就能够很好地解释《活着》及其以后几部长篇小说风格的变化及水平高低的问题。
This shift is the main reason that leads to his change in language and narrative style, and it better explains the different levels and styles of his Being Alive and other following novels.
这种观念的转变才是余华小说语言和叙事风格变化的根本原因。这也就能够很好地解释《活着》及其以后几部长篇小说风格的变化及水平高低的问题。
This shift is the main reason that leads to his change in language and narrative style, and it better explains the different levels and styles of his Being Alive and other following novels.
应用推荐