他们的样式显著地背离了当时统治着流行乐榜单那些声音：麦当娜（Madonna） 的铿锵鼓点，以及属于后朋克（punk）时期第三或第四股风潮的嘈杂的吉他乐队们。
Their style was a marked departure from the dominant sounds of the charts: Madonna’s blocky drum machines and the noisy guitar bands of the third or fourth wave after punk.
有着大大的80后的发型，氖阴影和弹弓，她或许这群人中最有朋克风格的一任。
With big 80s hair, the neon shades and the slingshot, she's probably the most "punk rock" of this bunch.
想想朋克摇滚乐手热衷的在身体上穿孔是如何在年轻的银行家们开始穿着条纹衫炫耀朴素的耳环后失去震惊世人的力量的。
Think how the body-piercing favoured by punk-rockers lost its power to shock after young bankers started sporting discreet earrings with their pinstriped suits.
浅野在横滨的本牧亭长大，那是个典型的“后嬉皮前朋克”区。
Asano's upbringing in the Honmoku area of Yokohama was classically post-hippie, pre-punk.
浅野在横滨的本牧亭长大，那是个典型的“后嬉皮前朋克”区。
Asano's upbringing in the Honmoku area of Yokohama was classically post-hippie, pre-punk.
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