当我们发现已经长大，我们的梦想停止飞翔，我们渴望着回归童年。
但是，当深深地陷入爱情时，我们会回归童年，我们会忘记自己有一双可以飞翔的翅膀。
However, when we are falling into love deeply, we tend to back to the childhood and forget wings.
这可以说是一种回归童年的感受，有意识或者无意识的，但能带来尴尬边缘上的外来愉悦感。
It may be this sense of a return to childhood, consciously or not, that gives the pleasure of foreignness its edge of embarrassment.
只有清除这些杂质才能回归精神纯洁，从而充分体会童年欢乐的真正含义。
These impurities if taken out can bring back the mental purity hence real spirit of joy of childhood can be attained up to an adequate level.
运用新的评价标准，分析优秀动画中的审美趣味，对“卡通精神”的新界定，呼唤童年意识的回归。
By using new evaluation criteria, it analyses the aesthetic interest, redefines "cartoon spirit" and calls the return of the sense of childhood.
本文试图从端木蕻良的忧郁与孤独的童年经验以及渴望回归土地的归依体验透示他“土地情结”的审美心理。
The present paper aims to analyze DuanMu's aesthetic psychology of"Earth Complex" through his melancholy and lonely childhood and his regressive experience of yearning for the regression to earth.
《梦回童年》侯骁彝意在唤起我们对传统生活方式的回归。
In"Dream-Lingering Childhood", Hou intend to arouse our nostalgia of traditional way of life.
“回归”是一个互动空间，在那里，参观者被蒙住双眼，然后根据回忆画出他们童年的卧室，并且在旁边写一句话。
Returning is an interactive space where visitors wear a blind fold and draw their childhood bedroom from memory and leave a sentence next to it.
“回归”是一个互动空间，在那里，参观者被蒙住双眼，然后根据回忆画出他们童年的卧室，并且在旁边写一句话。
Returning is an interactive space where visitors wear a blind fold and draw their childhood bedroom from memory and leave a sentence next to it.
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