后勤交响乐中两大最主要的情绪是愤怒和绝望,但就算是跟第七交响乐一样激昂的第九交响乐也用D大调为主音的三和弦来作为结束。
The two most prominent emotions in the later symphonies are anger and despair, but even the Ninth, almost as bleak as the violent Seventh, ends on a root-position D major triad.
后勤交响乐中两大最主要的情绪是愤怒和绝望,但就算是跟第七交响乐一样激昂的第九交响乐也用D大调为主音的三和弦来作为结束。
The two most prominent emotions in the later symphonies are anger and despair, but even the Ninth, almost as bleak as the violent Seventh, ends on a root-position D major triad.
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