德里达当然是这其中的一个重要人物。
现在大家已经读了一些德里达的著作。
这是对德里达关于中心的想法的介绍。
This then is an introductory moment in Derrida's thinking about centers.
你认为德里达可能是什么意思？
学到第四个星期，他们开始探讨德里达。
德里达从来没有说过，不这样做是可以的。
说到这点，我想快速地转到德里达的不同点。
In saying that, I want to move immediately to the differences with Derrida.
我认为之后的事，可以追溯到德里达的演讲。
What happened subsequently can, I think, be traced to Derrida's lecture.
德里达认为，言语和文字都不是存在的担保者。
Derrida thought, speak and words were not suretyship of presence.
这是德里达经常用的一个比喻，就像在耳朵上书写。
This is a metaphor that Derrida frequently uses, as a kind of writing on the ear.
现在我想回到，德里达和列维，施特劳斯之间的关系。
Now I do want to go back to the relationship between Derrida and Levi-Strauss.
德里达与海德格尔之间存在着一种复杂而微妙的关系。
There is a complex and subtle relation between Derrida and Heidegger.
德里达解构主义的要害在于“符号差异的无穷运动”。
The backbone of Derridas deconstructionism lies in "infinite movement of differences between signs".
德里达的文学批评思想的形成，有其独特的时代和思想背景。
The formation of Derrida's theory of literary criticism has its unique historic and ideological backgrounds.
正如上周的各条讣告所记载的，德里达是“解构主义”之父。
As last week's obituaries have already recorded, Derrida was the founding father of deconstruction.
德里达对胡塞尔有关表述和指示关系的论述对翻译研究的意义；
The bearing of Derrida's comment on Hussel's expression and indication on translation studies.
关于德曼与德里达之间的，不同点和相同点，我要讲的就那些。
So those are some remarks then on the differences and the similarities between DE Man and Derrida.
德里达的解构理论被认为是西方当代最重要的哲学和文学批评理论。
Deconstruction is regarded as one of the most important theories in contemporary western philosophy and literary criticism.
雅克·德里达的解构理论对建构女性主义批评话语的影响是不可忽视的。
The impact of Derrida's deconstruction theory on the construction of the feminist criticism discourse can never be overlooked.
德里达称语言是不同的，因为站在语言之外谈论发生了什么是没有意义的。
Derrida is claiming that language is different in the sense that it makes no sense to talk about it as standing outside of what's going on.
《记忆考古》可以说是以作品印象对于德里达“解构”学说的一种表现。
The Archaeology of Memory can be seen as a manifestation of the deconstructionism of Jacques Derrida.
但与此同时，我们也很熟悉对在场的批判，尤其是雅克·德里达所表述的。
However, meanwhile we are well familiar with the critique of the presence formulated especially by Jacques Derrida.
(并且要记住，如果你先读柏图的话，你在读德里达对柏拉图的时候就会得到更多)。
(And remember, you'll get more out of reading Derrida on Plato if you read Plato first.)
此处并不宜更进一步分析德里达的解构是如何工作的—这已经是尽人皆知的。
Here is not the place to analyze further the way in which Derrida's deconstruction works - this is well enough known.
这个特点不仅是对德里达的解构概念的生动描述，也是德里达读写方法的奥秘。
This feature is not only a lively description of Derrida's Deconstruction but the secret of Derrida's reading and writing method.
对德里达和米勒关于电信时代的到来会使文学走向终结的观点，国内学者批评的居多。
Most of internal scholars criticize Derria's and Miller's view that the coming of telecommunication times will make literature come to an end.
雅克·德里达文学终结论的预言并不新鲜，在西方美学界早就有人提出过艺术终结论。
The prediction of literary ending given by Jacques Derride is not fresh, in western aesthetic fields, the end of art has been offered before.
这是唯一你能够严肃认真地读些东西的方法，不管它是柏拉图的著作，还是德里达对柏拉图。
It's the only way you'll be able to read anything seriously, whether it's Plato or Derrida on Plato.
所以现在我们需要说一些，德里达的关键词，这些关键词用来维持对语言的传统想法的批评。
Now this is the point at which we need to say something about a number of key terms that Derrida USES to sustain this sort of criticism of traditional ideas of language.
这一维度最早以目的论的形式参与了德里达早期思想的形成过程，成为解构理论的隐性要素；
This dimension has taken part in the formative process of Derrida's early thoughts in the way of teleology at the beginning and become the latent moment of the theory of deconstruction.
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