村上隆并非一心只追求商业化的艺术家，他只是不排斥市场。
Takashi Murakami is not just bent on the pursuit of commercial artist, he just does not exclude the market.
在仪式结束后村上隆接受采访，他的头发在脑后盘了一个辫，看起来很精神。
In an interview after the ceremony Mr. Murakami, his bushy hair tied in a knot, seemed exuberant.
然而村上隆对社会议题，特别是对日本社会的诸多现象都是保持批判立场的。
Takashi Murakami, however, on social issues, especially for the many phenomena of Japanese society are critical to maintain the position.
他们倾向于关注如杰夫•昆斯、村上隆色彩缤纷的波普美学和达米安•赫斯特严苛的连续性。
They tend to point to the colourful Pop aesthetics of artists such as Jeff Koons and Takashi Murakami and the rigorous seriality of Damien Hirst.
像安迪·沃霍尔一样，村上隆同样采用了重新包装低俗文化并将其以高价推向“高端艺术”市场。
Like Andy Warhol, Takashi Murakami takes low culture and repackages it, and sells it to the highest bidder in the "high-art" market.
要说模糊高雅艺术和通俗文化的界限，安迪·沃霍尔不是第一个，村上隆也绝对不是。
Speaking of blurring the line between high arts and popular culture, Warhol was not the first one to practice, and neither was Murakami.
村上隆把他的才能用于路易·威登(Louis Vuitton)一系列奢侈品手袋上，也获得了关注。
Murakami has also gained notice applying his talents to a line of Louis Vuitton luxury handbags.
村上隆把他的才能用于路易·威登(Louis Vuitton)一系列奢侈品手袋上，也获得了关注。
Murakami has also gained notice applying his talents to a line of Louis Vuitton luxury handbags.
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