在这个意义上，力比多的反义词是死亡本能。
我们人类史非常非常具有死亡恐惧的物种。我们可以做任何事情来避免死欲本能带给我们的痛苦。
We humans are a very, very death phobic species. We will do almost anything to avoid the pain that ACTS based on the thanatos instinct can bring.
而凯瑟琳的死亡本能对希克厉死神意象的心理认同，以及其对真实自我的外在匹配物希克厉的潜意识心理认同，使凯瑟琳迷恋希克厉。
The identification of Catherine's death instinct with Heathcliff's death image and the identification of her real self with Heathcliff make Catherine infatuated with Heathcliff.
失去陪伴，显示的习惯，没被发现的空虚和孤独通过死亡造成的伤痛，你本能地想从中抛开。
The lack of companionship, the habits that are revealed, the void and the loneliness that are uncovered through death cause pain, and you instinctively want to run away from it.
死亡意识是从生命本能出发对死亡的恐惧及由之引发的对生的焦虑。
Death consciousness is a fear to death and the resultant anxiety to life sourcing from the life instinct.
结果患者基本能不消极地对待死亡，最后阶段能安详、满意地到达生命的终点。
Result The patients could face death almost positively, and finally spend their last moment in peace and with satisfaction.
本文通过文本细读，结合传记资料，借弗洛伊德生死本能论的视角，拟在探究普拉斯晚期代表诗作《阿丽尔》中的死亡主题以及背后的创作动因。
This essay explores the motif of death in Plath's masterpiece Ariel through a close reading of the poetry under the perspective of Freud's instinct theory.
这其中的创作动机，运用现代心理学知识的解释，即作者内心深处生活本能意识和死亡本能意识的激荡。
The motive of the novel, using the modern psychological analysis, is the instinct of life and the agita.
那确实是一股死亡的气味。我们俩本能地打了一阵寒颤，悲伤不已。
It quite lite-rally smelt of death and we both instinctively 15 shuddered with grief.
当然潜意识里还有很多的基本元素，包括“生”的本能及“死亡”的本能都在这里。
In addition to the "self", the subconsciousness also contains the instinct of birth and death.
惧怕死亡是种本能 对于未知的事物保持恐惧，是人类保护自己的一种本能手段。
Fear of how others will react, fear of failure, and fear that they can't do it themselves.
惧怕死亡是种本能 对于未知的事物保持恐惧，是人类保护自己的一种本能手段。
Fear of how others will react, fear of failure, and fear that they can't do it themselves.
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