A woodcut exhibition will be held in the art museum next week. Let's go to see it.
美术馆下周要举办木版画展,咱们去看看吧!
This is an image called "Rotterdam" by the artist Edward Wadsworth. It's a woodcut image from Blast.
这里有张图片,是出自艺术家爱德华·华兹华斯的《鹿特丹》,是《爆炸》杂志中的一幅木刻图片。
The work is a woodcut and printed by the artist. The concept is the Scandinavian way of human beings.
作品为木版画,由艺术家手工印制,展示了斯堪的纳维亚人的习惯。
This is a woodcut engraving, (the impression is 6 brief) Reflection: is living the Hangzhou Qiantang River on water, Life sketch construct when bridge worker puts up the pier.
这是张木刻版画,(印数约6张)反映:在杭州钱塘江水上,建桥工人构筑桥墩时的生活剪影。
The woodcut Autumn was conceived as a harvest scene.
木刻《秋》是作为丰收的景象来构思的。
Hakka people once played a positive role in the woodcut movement.
就全国的木刻运动而言,客家人在诸多方面开了先河。
This paper draws a rough outline about the functions and connections among sketch, balck-and-white drawing, life painting, and artistry, which are all links in woodcut teaching and producing.
本文粗线条地阐述了在版画教学和创作中素描、黑白画、写生、技法等环节各自的作用和相互联系。
Ming dynasty people long-term exploration version and appears multicolor printing of arch flowers, woodcut printing technology to produce a qualitative leap.
明代人们长期探索出现短版和拱花彩色套印,木刻彩印技术至此产生了质的飞跃。
Ming print creative artist intervention to graphic creation, professional painters and woodcut artist emerged Chinese prints a qualitative leap, graphic representation of the literati.
明中期版画创作画家介入到版画创作中来,专业画家和木刻艺人结合出现了中国版画一次质的飞跃,版画表现形式文人化。
"Vers Libre" is a range of candle holders inspired by Dadaism and specifically by the woodcut fonts used around that time.
“弗斯自由报”是达达主义的范围由持蜡烛的启发,具体时间由木刻字体用于解决这一问题。
Woodcut: The term woodcut is often used loosely for any carving made on a wooden block.
木刻(木面木刻):木刻一词,泛指任何的雕刻木版。严格来说,它是“木面木刻”;
The handmade work is created in method of colored woodcut. Five serial works of the same size formed a picture.
作品简介:作品应用绝版套色木刻技法“薄印法”纯手工印制,用五幅尺寸相同的系列作品拼接成一个画面。
While nowadays when traditional woodcut technology of Yangliuqing New Year Paintings increasingly becomes consumption focus, it is undergoing a complex transformation accordingly.
在当前以杨柳青年画传统木版技术为消费核心的文化语境中,杨柳青年画木版技术正在发生着复杂的技术转型。
The speaker Mr. Tong Siang Eng is a long-time researcher of woodcut art in Singapore.
主讲人董长英先生长期研究新加坡木刻版画艺术。
The speaker Mr. Tong Siang Eng is a long-time researcher of woodcut art in Singapore.
主讲人董长英先生长期研究新加坡木刻版画艺术。
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