The aesthetic relationship of music, the same as value relationship, exists in the harmony and combination of aesthetic subject and object.
音乐审美关系与价值关系一样，存在于审美主客体的协调、融合之中，因此，审美主客体之间的协调、融合是构建音乐艺术审美关系的基础。
The aesthetic effect comes mainly from the various features of the subject and the diverse demands of the object of narration.
其审美效果主要源于叙述主体个性的各具特色和叙述客体千差万别的种种需求。
The basic contradiction of the aesthetic system includes the contradictions of the object and subject, the judement and form, the existence and idea.
审美系统的基本矛盾包括：审美对象和审美主体的矛盾，审美能力和审美形式的矛盾，审美存在和审美观念的矛盾。
The aesthetic object and the aesthetic subject are the two sides in aesthetic relation.
审美对象(客体)和审美主体构成审美关系的两个方面。
Esthesia -subject and perceiving, caused the object things of the emotion to obtain aesthetic nature in step of the emotion.
感知——情感的主体和被感知、引起情感的客体事物同步地获得了审美的性质。
In Tang Dynasty, the aesthetic creation of image was theoretically affirmed, and image has become a general term referring to the object by the subject in artistic creation.
到了唐代，意象的审美创造得到理论明确肯定，意象成为艺术创作主体审美情思形象对象化的一个通用术语。
Its highlight is the impacts of aesthetic object to the subject of emotional and aesthetic subject in the aesthetic process is in a relatively passive position.
其突出强调的是审美客体对主体的情感影响，审美主体在审美过程中处于一种相对被动的位置。
It, on account of the given historical background, has supplied modern translated literature with romantic, aesthetic resources distinguished by the combination of subject and object.
这一批评观在注重翻译文学的语言学和语文学特征的基础上，为现代翻译文学注入了以主体与客体相契合为特质的浪漫主义审美资源。
Artistic mental sense, an aesthetic field, is a four-dimension space form generated by the resonant effect via three_layer, two_way interaction between the aesthetic subject and its, object.
艺术意境即一间审美场：主、客体三层面双向交互作用发生共振效应生成的四维空间形态。
Aesthetic activity is a kind of creation based on multi-level relations as a whole, that is, the levels of aesthetics in subject, object, time and space, and historical illuviation.
审美活动是审美主体层、审美客体层、审美时空层、审美历史积淀层等多层面整体关系的创造；
Both the Chinese ancient theory of Wugan and western modern empathy theory explore the problems, which include the relation between subject and object, the source of aesthetic feeling, and so on.
中国古代的物感说和西方近代的移情说都探讨了文艺创作中的主客关系及其美感源泉等问题。
There is a dialectical unity relationship between the subject aesthetic judgment and the object aesthetic judgment, in which the practice bridges the two parts.
审美主体意识与审美客体是辩证统一关系，而实践是这一统一关系的桥梁和纽带。
The aesthetic subject, object and temporal-spatio-environment are its three major components.
审美主体、审美客体和时空环境是它的三个要素。
This article deals with the empathic phenomenon in musical aesthetic perception on the dual direction. emotional movements from creative subject, aesthetic object and aethetic subject of music.
音乐创作和欣赏中存在着主客体双向互动的情感因素，正是这种移情因素使音乐展示了迷人的魅力。
Owing to the incorporation of fuzzy language, literary art can transcend aesthetic object as well as aesthetic subject; thereby enlarge the artistic space, and obtain aesthetic feeling.
文学作品中模糊语言的使用可以使文学艺术穿越审美主体和审美客体，从而扩大艺术空间，获得审美情感。
Waterscape is a state in which the object waterscape and the aesthetic subject wanderers share the organic unification and perfect harmony.
水景意境是指水景客体和审美主体有机统一而生成的一种情景交融的境界。
Subject has multiple relations with object, such as understanding relation, value relation, and aesthetic relation.
有认识关系，有价值关系，还有审美关系。
Aesthetic activity is a product out of the mutual affecting between the subject and the object, and is necessarily accompanied by aesthetic experience.
审美活动是主体和客体相互作用的产物，它必然伴随着审美体验。
Aesthetic activity is a product out of the mutual affecting between the subject and the object, and is necessarily accompanied by aesthetic experience.
审美活动是主体和客体相互作用的产物，它必然伴随着审美体验。
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