Art has no nationality, but eastern culture and western culture are two different systems of the world culture and they cannot be treated as the same.
艺术是不分国籍的，但东方文化和西文文化是世界文化中的两个完全不同的体系，不能一概而论。
This book demonstrates the futility and arrogance of modern art and the poverty of aesthetics in the western world.
本书将展示现代艺术的无聊与自负，展现西方世界中美学的贫困。
As ontology of art and literature, the "visionary world" different from western, it come from Chinese traditional ontology of art and is essential of Chinese aesthetic idea.
“境界”作为艺术本体，它与西方的艺术本体有着不同，它是对中国传统艺术本体的延续，是中国美学思想的结晶。
In 19th century, Britain was the leader of western garden art and has provided a lot of precious heritages for garden art in the world.
19世纪，英国是西方园林艺术的引领者，为世界园林艺术宝库留下了许多珍贵的遗产。
Yet, as the claim of the end of art and the death of painting surges in the western art world, Chinese artists began to return to their own tradition for salvation.
然而，随着艺术终结、绘画-死亡的喧嚣在西方艺术界中一浪高过一浪，中国艺术家开始主动回归自身的传统进行自我救赎。
And the Western tradition of the arts and "imitation," resulting "realistic style" compared to "Image style" closer to the essence of art and people's spiritual world.
与西方传统的由艺术“模仿说”产生的“写实造型”相比，“意象造型”更贴近艺术的本质和人们的精神世界。
Gongshi are relatively new to the western world, but some art museums in the us and Europe have started building up a collection of them.
贡是比较新的西方世界，但美国和欧洲的一些艺术博物馆的建设已经开始收集了他们。
Long long ago, with the fascinating debut of Chinese silk art in the western world, the Roman writers have created beautiful imagination of "Chinese art".
很早以前，当中国的丝绸艺术以迷人的姿态出现在西方人眼前时，古罗马的作家就已经对“中国艺术”产生了各种幻想。
Long long ago, with the fascinating debut of Chinese silk art in the western world, the Roman writers have created beautiful imagination of "Chinese art".
很早以前，当中国的丝绸艺术以迷人的姿态出现在西方人眼前时，古罗马的作家就已经对“中国艺术”产生了各种幻想。
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