This thesis takes the combination of "the autonomy" theory and "the heteronomy" theory as its main thread with due attention to the analysis of the literature history viewpoint of Russia Formalism.
全文紧扣寻求“自律”论与“他律”论的结合这条主线，又始终不离迪尼亚诺夫文学史观与巴赫金文学史观之关系的分析。
Moral need, which is unique to humanity, is indeed one of the fundamental human needs and the ground for the change from moral heteronomy to moral autonomy.
道德需要是人所独有的，是人的最本质的需要之一，是道德之由外在的他律转化为其内在的自律的依据。
It consists of autonomy, inherent regulation or law of literature itself, and heteronomy, all kinds of the relations and fabrics of society.
文学体制包括两方面的内容：文学自身的内在规定性或法则即自律；社会的各种关系与结构即他律。
In musical field, the German musician Felix Gatze used "autonomy" and "heteronomy" in musical aesthetics and the two concepts autonomy aesthetics and heteronomy aesthetics appeared.
在音乐界，德国音乐学家卡茨将“自律”、“它律”使用在音乐美学中，出现了自律美学和它律美学两个概念。
In musical field, the German musician Felix Gatze used "autonomy" and "heteronomy" in musical aesthetics and the two concepts autonomy aesthetics and heteronomy aesthetics appeared.
在音乐界，德国音乐学家卡茨将“自律”、“它律”使用在音乐美学中，出现了自律美学和它律美学两个概念。
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