He refused requests to play the cello suites in many countries that recognised the regime.
他拒绝了许多国家要他演奏大提琴组曲的请求，因为它们都承认了该政权。
“The Cello Suites”, his first book, vividly chronicles his international search for the original, and unfound, Bach score.
他的第一本书——《无伴奏大提琴组曲》——就生动地记录了他在世界范围内寻找巴赫乐谱原本的过程（结果是没有找到），还不时地偏离一下叙述主线，穿插一些巴赫和卡萨尔斯的生平轶事。
Read “The Cello Suites”—preferably with their melodious hum in the background—and you will never look at a cello in quite the same way again.
读这本《无伴奏大提琴组曲》——最好还在一旁伴有它那幽幽的旋律——之后，你再看大提琴时就不再是你以前眼中的大提琴了。
Casals's superb rendition ensured the cello suites attracted a mass following, and they became the hallmark of the virtuoso cellist's fabulous career.
卡萨尔斯的卓越演绎为这套大提琴组曲俘获了一大批的追随者，这组曲子也成了这位大提琴大师职业辉煌点的标志。
This performances of the Bach Cello Suites, the first ever to be recorded, remain the classic yardstick by which all later ones must still be judged.
这套巴赫大提琴组曲，世上的首个录音，仍然是后来者必被与其相比较的经典里程碑。
We suggest this starter kit: Bach's six unaccompanied cello suites; Beethoven's Concerto for Violin in d; Brahms's Violin Concerto in d, op. 77; and Mozart's symphonies 35 through 41.
我们建议开始试用此法的音乐套装为：巴赫的《无伴奏大提琴组曲》6首；贝多芬d大调小提琴协奏曲；勃拉姆斯d大调小提琴协奏曲，作品77号；以及莫扎特第35 ~ 41号交响曲。
We suggest this starter kit: Bach's six unaccompanied cello suites; Beethoven's Concerto for Violin in d; Brahms's Violin Concerto in d, op. 77; and Mozart's symphonies 35 through 41.
我们建议开始试用此法的音乐套装为：巴赫的《无伴奏大提琴组曲》6首；贝多芬d大调小提琴协奏曲；勃拉姆斯d大调小提琴协奏曲，作品77号；以及莫扎特第35 ~ 41号交响曲。
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