Jiaohua "is an important category in Chinese ancient literary theory."
“教化”是中国古代文论的重要范畴。
Category studies in Chinese ancient literary theory is a fundamental important part.
古代文论范畴研究是古代文论研究的基础和重要组成部分。
Yijing"is the crux point, on which the study of chinese ancient literary and aesthetic compositions."
“意境”是中国古代文论和美学研究中的关键性问题。
Big roc is frequently employed in Chinese ancient literary works to represent the image of strong vital force.
大鹏是中国古代文学作品中使用频率很高，并且极具生命力的意象。
The phenomenon of mutual communication between poetics and calligraphy is worthy of research in Chinese ancient literary theory.
诗学与书学的互通，是中国古代文论中一种值得注意和研究的现象。
Chinese ancient literary theory hasn't been destroyed in the great era's vicissitude, but participated in and penetrated in the Chinese modern literary theory.
中国古代文论在大时代的变迁下并非是整体毁灭，而是依照其特有的方式参与和渗透到现当代文论中来。
In the study of Chinese ancient literary style, for a long time, there existed two unilateral standpoints that the unitary and one-way view and the word for word study method.
在中国古代文体演变史的研究中，长期存在着两种片面的观点，那就是一元单向论和寻章索句法。
In this waves of globalization, some matters as to how to study Chinese ancient literary theories and how to value it in the modern society have attracted more and more attentions.
在如此“全球化”浪潮下，如何研究中国古代文艺理论，及其在当代的生存价值如何，越来越受到人们的关注。
So the Seven-person school theory has extremely important function not only in the history of literary criticism of Ming Dynasty but also in Chinese ancient literary criticism history.
因此，七子派文学理论不仅在明代文学批评史上，乃至于中国古代文学批评史上都具有极其重要的作用。
Chinese literature is one of the major parts of China's ancient traditions, and Chinese poetry is just like the best prize in this famous culture's literary treasure house.
中国文学是中国古代传统的重要组成部分之一，而中国诗歌就像是这个著名文化的文学宝库中的最佳宝藏。
Although it has not been systematically considered in the philosophic level of ancient Chinese literary theory, it still came to be a critical criterion in literary writings and comments.
中国古代文论，虽然并未在哲学层面对“惊奇”有系统的研究，但在文学的创作和评论中，“惊奇”是一个重要的审美标准。
The mass organizations of ancient Chinese men of letters were a distinct kind of literary phenomenon.
中国古代文人社团是中国文学史上一种特殊的文学现象。
In the late Ming dynasty the main literary form was literary communities, a unique literary phenomenon in the Chinese history of ancient literature.
明末文学主要以文社为主流文学样态，这在中国古代文学史上是一独特的文学现象。
The author of the paper reports his stress on both textual criticism of literary facts and analysis of textual structures in his research on ancient Chinese fictions.
本文作者自述研究中国古代小说偏重文学事实的考证和文本结构的解析。
Qi'; as a particular category in traditional Chinese culture, has its original meaning in ancient Chinese Literary art. It is a world of experience and a nature of life.
“气”作为一个在中国传统文化中极具特色的范畴，对于中国古典文学艺术有着原创性意义。“
But the Chinese academic tradition has ignored the absence of 'the literary criticism of women's in ancient China' since the new Cultural Movement.
然而，自新文化运动以来的中国现代学术传统，却从根本上忽略了“中国古代妇女的文学批评”的存在。
When look through the history of ancient Chinese literary theories study, each new step is promoted by an new ideological trend.
古文论研究中每一新步的跨出，都有一股新的社会思潮的发动为之撑柱。
Based on the entire organic structure of Chinese culture, the ancient Chinese literary theory grasp the literature also with this kind of thought, so it is full of poetic characteristics.
基于中国文化的整体有机结构，中国古代文论也以这种整体把握的方式去审视文学，建构成一套富有诗性特征的思维方式。
ShiJing (Poems) is not only well-known literary works of ancient China, but also the important reference book in study of ancient Chinese medicine.
《诗经》不仅是我国古代著名的文学著作，而且也是研究我国古代药物的重要参考书，其内容常被《中药鉴定学》等药学方面的书籍所引用。
While it is true that "personality" did find its place in ancient Chinese literary critics, the relating concept of "-ality" truly existed beforehand.
在中国古代文论中并没出现过“人格”一词，但与此相关的“格”的概念却早已有之。
It seems that many problems can be reduced to this basic proposition as to how to research ancient Chinese literary theory under the contemporary cultural context.
似乎很多问题都可以归结到如何在现代文化语境下研究中国古代文论这样一个基本命题。
The literary grace and the intrinsic spirit of Chinese ancient poetry are inseparable.
中国古代诗词的文采与内在精神是不可分离的。
He made a distinguished contribution in ancient Chinese literary theory.
他在中国古代文论方面有着较大的贡献。
Chinese earlier literary criticism has no its own style. It lives on in every kind of text of the ancient culture works.
中国早期文学批评没有自己的文体，它寄生于文化典籍的各种文本之中。
This shows a very important difference between ancient Chinese literary criticism and modern Western literary criticism.
从这些方面，亦可以看出中国古代文论与西方现代文论在价值观念上的重要差异。
The ancient Chinese literature theory is not rational but poetic, because it's text is literary, style is esthetic and form is artistic.
中国古代文论以论说之体而具诗赋之性，其批评文体的文学化、语言风格的美文化和理论形态的艺术化，共同铸成文论之“体”的诗性特质。
There is a tendency of "West centered culture" in the study of ancient Chinese literary theory.
中国古代文论研究存在“西方文化中心论”的倾向。
There is a tendency of "West centered culture" in the study of ancient Chinese literary theory.
中国古代文论研究存在“西方文化中心论”的倾向。
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