Chinese figure painting prominently features verve.
中国人物画的突出特点的神韵。
Regardless of his aesthetic ideas, or forms, are typical of traditional Chinese figure painting.
无论是他的美学思想，还是表现形式，都是值得我们学习的典范。
The Research Institute of Traditional Chinese Painting organizes a forum on Chinese figure painting.
中国画研究院召开中国画人物画创作讨论会。
Chinese figure painting into the language arts need a long-term process, not on the transformation of the transformation.
中国人物画艺术语言的转化需要一个长期的过程，不是说转化就转化的。
Chen Hongshou and Ren Bonian, who respectively lived in late Ming Dynasty and Qing Dynasty, are both the brilliant jewel in the history of Chinese figure painting.
明末清初人物画巨匠陈洪绶与清末人物画巨擘任伯年，是中国人物画史上两颗璀璨的明星。
Social change so that the spirit of the artist, a new look, transforming painting movement directly contributed to the rise and prosperity of the new Chinese figure painting;
社会变革带来了艺术创作者的精神面貌和创作风格的焕然一新，改造国画运动直接促进了新国画人物画崛起和繁荣；
Modern figure painting shading mostly adopts the western sketch reproducing method, and has ignored the image representation of Chinese painting tradition.
现代工笔人物画造形大多采用西方素描的再现方法，忽视了我国传统绘画的意象表现。
The reform of Chinese ink-figure-painting includes many aspects, and faces many problems need to be solved.
中国水墨人物画的变革是多方面的，面临许多亟待解决的问题。
The thesis aims to analyze the Chinese traditional figure painting, the figure painting of Chen Hongshou and the figure painting of Zengjing.
本文就此问题将对中国传统工笔人物画和陈洪绶人物画以及曾鲸人物画，作具体的分析。
Fan Zeng s simple strokes and ink-splashing figure art is not only a focus of the modern painting field but also an important aspect which can not be omitted when it comes to modern Chinese painting.
范曾简笔泼墨人物艺术，是当今画坛的一个焦点，是欲谈当代国画而无法回避的重要现象之一。
Urban Ink Figure Painting is a new art form. It is different with Chinese realistic figure painting.
都市水墨人物画是一种新的绘画样式，它不同于现实主义中国人物画。
He accounts for a special significant figure in Chinese painting history since the 1980's.
在二十世纪八十年代后的画坛上，他是一位具有特殊性意义的画家。
In this significance, it's not an overestmation to regard Guan as the founder of Chinese opera figure painting.
从这个意义上来说，关良是戏曲人物画的开山祖实不为过。
As a Chinese portrait department, Freehand Figure Painting is even more obvious Embodies the concept of fractal, and therefore it seems particularly important to the shape of a new awareness.
意笔人物作为中国人物画的一个分系统在体现形的概念上尤为明显，因此对形的重新认识就显得非常重要。
As a Chinese portrait department, Freehand Figure Painting is even more obvious Embodies the concept of fractal, and therefore it seems particularly important to the shape of a new awareness.
意笔人物作为中国人物画的一个分系统在体现形的概念上尤为明显，因此对形的重新认识就显得非常重要。
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