Ancient Chinese literary theory is living, and its structure is organic.
中国古代文论是生命性文论，是一种整体有机结构观。
He made a distinguished contribution in ancient Chinese literary theory.
他在中国古代文论方面有着较大的贡献。
There is a tendency of "West centered culture" in the study of ancient Chinese literary theory.
中国古代文论研究存在“西方文化中心论”的倾向。
Could it be the history of Chinese-style theory, will also communicate with the Chinese literary theory of tonight's?
莫非中国式的历史论，也将沟通了中国人的文学论欤？
From 1917 to 1937, the speech subject of modern Chinese literary theory was very complicated in pursuit of personality or nationality.
1937年间，现代汉语文论话语主体在个性追求与族性意识两者之间的认同与取舍，显得异常复杂。
It seems that many problems can be reduced to this basic proposition as to how to research ancient Chinese literary theory under the contemporary cultural context.
似乎很多问题都可以归结到如何在现代文化语境下研究中国古代文论这样一个基本命题。
This paper, by comparing the two masters' poetic theories and analysis, tries to pint out the influence and aberrance of the ambiguity of New Criticism on Chinese literary theory.
本文试图通过对两位学者的诗学理论和诗歌分析方法的对比，说明英美新批评的复义理论对中国文论所产生的影响以及发生的变异现象。
Although it has not been systematically considered in the philosophic level of ancient Chinese literary theory, it still came to be a critical criterion in literary writings and comments.
中国古代文论，虽然并未在哲学层面对“惊奇”有系统的研究，但在文学的创作和评论中，“惊奇”是一个重要的审美标准。
Based on the entire organic structure of Chinese culture, the ancient Chinese literary theory grasp the literature also with this kind of thought, so it is full of poetic characteristics.
基于中国文化的整体有机结构，中国古代文论也以这种整体把握的方式去审视文学，建构成一套富有诗性特征的思维方式。
The kernel of Science of literature, as a sub-discipline of the Chinese Literature, is the study of its literary theory.
“文艺学”作为“中国语言文学”下的二级学科，其核心就是文学理论的研究。
So the Seven-person school theory has extremely important function not only in the history of literary criticism of Ming Dynasty but also in Chinese ancient literary criticism history.
因此，七子派文学理论不仅在明代文学批评史上，乃至于中国古代文学批评史上都具有极其重要的作用。
Then this thesis chooses two Chinese versions of the popular children's literary works—Alice's Adventures in Wonderland as an example to conduct a case study under the guidance of Skopos Theory.
之后，本文选取了儿童文学的经典代表作之一《爱丽丝漫游奇境记》的两个中文译本，以目的论为理论基础进行一个个案分析。
Chinese ancient literary theory hasn't been destroyed in the great era's vicissitude, but participated in and penetrated in the Chinese modern literary theory.
中国古代文论在大时代的变迁下并非是整体毁灭，而是依照其特有的方式参与和渗透到现当代文论中来。
According to Chinese hermeneutics, the context of globalization implies a theory of relativity of literary research.
根据“中国阐释学”的基本观念，全球化语境意味着一种文学研究相对论。
Confucius's view of " Xing" poetry theory is a creative idea in the history of China's literary criticism. It has long - term effects on Chinese poetry creation and commentary.
孔子的“兴观群怨”的诗歌理论，是中国文学批评史上的创造性提法，长期影响中国诗歌的创作和评论；
Chinese literature of the Yuan, Ming and Qing dynasties, ancient Chinese novels and literary theory.
研究领域是元明清文学、中国古代小说和文学理论。
Part two the Aesthetic pursuit of the Literary theory from the Late Qing Dynasty to the May-forth, which indicated direction of the change of the modernity in the Chinese prose theory.
第二节阐明晚清至五四时期文艺理论的审美追求为中国散文理论的现代性转变指明了方向。
A reconstruction of the poetic paradigm is the solution to the long-existing difficulties in Chinese literary and art theory studies.
当代中国文艺理论研究的困境由来已久，走出困境的出路在于诗学范式的重构。
The introduction of a variety of western literary criticism has brought forth new theory and methodology to the Chinese traditional literary criticism since 1980s.
对于中国文学批评界来说，自从二十世纪八十年代初各种西方文学批评理论被引进以后，为传统的批评界带来了新鲜的批评理论和方法。
The phenomenon of mutual communication between poetics and calligraphy is worthy of research in Chinese ancient literary theory.
诗学与书学的互通，是中国古代文论中一种值得注意和研究的现象。
The ancient Chinese literature theory is not rational but poetic, because it's text is literary, style is esthetic and form is artistic.
中国古代文论以论说之体而具诗赋之性，其批评文体的文学化、语言风格的美文化和理论形态的艺术化，共同铸成文论之“体”的诗性特质。
Likeness in spirit "is particularly stressed in traditional Chinese translation theory and" distance "is considered to be crucial to the appreciation of the beautiful in literary translation."
我国传统译论讲究“神似”，承认“距离”在文学翻译过程中的审美意义。
In Chinese Classical Literary theory, "Kuang" is constantly appeared in the comments on writer's temperament, work's style, work's aesthetics, and producing praess, etc.
在中国古代文论中，“狂”常见于作家气质、作品风格、审美品鉴以及创作过程等诸多方面。
The argument makes Chinese scholars reflect not only on the aesthetic ideology of literature but also on the modern development of literary theory.
乔伊斯在这部作品里首次提出了静态审美理论，使这部小说成为研究乔伊斯美学思想不可多得的素材之一。
Besieged Fortress is a city of ironic language, they reach a high fit between theory and practice in the difference of Chinese and Western literary criticism.
《围城》又是钱钟书用反讽构筑的一座语言之城，二者在中西文论的差异下却达到了理论和实践的高度契合。
At the same time, Chinese literary theories were marching from external study to inner one, devoting great endeavor on studying the problems of literature it self's theory and laws.
中国文论则由外部研究走向内部研究，大力探讨文论自身的问题、规律等等。
Category studies in Chinese ancient literary theory is a fundamental important part.
古代文论范畴研究是古代文论研究的基础和重要组成部分。
Liu Xie (465-532 A. D.), a Chinese literary critic, was the author of WEN XIN DIAO LONG, a comprehensive work on literary theory.
刘勰(约公元465—532年)是《文心雕龙》作者，他是我国古代文学评论家。
Liu Xie (465-532 A. D.), a Chinese literary critic, was the author of WEN XIN DIAO LONG, a comprehensive work on literary theory.
刘勰(约公元465—532年)是《文心雕龙》作者，他是我国古代文学评论家。
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