• Pouchkine′s, works have a potential influence on Chinese modern drama.

    普希金中国戏剧潜在影响放送与接受两方面的原因。

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  • The creation of Chinese modern drama in the beginning period was shrouded in a strong tragedy consciousness.

    中国话剧初期创作笼罩一种浓厚的悲剧意识。

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  • Xiayan and his works, in the history of modern Chinese literature, especially in the history of Chinese modern drama, afford everyone much food for thought.

    中国现代文学史,尤其在中国话剧史上夏衍及其作品存在是耐人寻味

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  • Practice, theory, and accumulation of performance are three aspects to measure the influences of traditional Chinese opera on Chinese modern drama stagecraft.

    实践理论舞台积淀衡量传统戏曲中国话剧舞台艺术产生影响三个方面

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  • Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.

    悲剧意识形成打破中国传统戏剧的“大团圆模式成为中国话剧初创时期主导艺术特色

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  • The early modern drama gradually comprehended and recognized the characteristics of wring style through hard exploration, and promotes the formation of the writing style of Chinese modern drama.

    早期话剧艰苦艺术探索中逐渐领悟体认话剧文体特点促进了我国话剧文体的基本成型。

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  • The history of modern Chinese drama is not only the history of drama creation and performance, but also that of drama movements and drama movement leaders and drama activists.

    中国话剧历史不仅创作演出历史,还是戏剧运动戏剧运动领导者、戏剧活动家的历史。

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  • The text manages to show the unique character of modern Chinese drama through the comparative analysis of the original connotation of modern Chinese dramatic archetype and also the modern replacement.

    本文试图通过中国现代戏剧原型原始内涵及其现代置换变形比较分析显示出中国现代戏剧独特品质

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  • The three women were the heroines of reviving from death in Chinese classical drama. They are deducted over again by modern women, but revealed the inner mind of the ancient women.

    三个中国经典还魂戏剧女主角现代女性演员重新演绎,诠释中国古典女性内心世界无限和渺远。

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  • The paper believes that Wu's modern drama creation is related to traditional Chinese opera art closely.

    本文认为吴祖光话剧创作中国传统戏曲艺术对他的影响密不可分

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  • The first change took place during the twenty years before and after "May 4 Movement", thus completing the transition for the Chinese theatre and drama from the classic to the modern time.

    第一变化发生五四前后二十多年间,其结果完成中国戏剧古典时期现代时期的过渡

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  • The first change took place during the twenty years before and after "May 4 Movement", thus completing the transition for the Chinese theatre and drama from the classic to the modern time.

    第一变化发生五四前后二十多年间,其结果完成中国戏剧古典时期现代时期的过渡

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