Leopoldo de Medici started the collection of self-portraits in 1664.
利奥普尔多于1664年开始收藏艺术家自画像，现已有1630幅作品，并且这个数字仍在增长。
It is a work intended to ingratiate himself to Lorenzo DE Medici, the man to whom the work is dedicated, a customary prince, a traditional prince who has just regained his power.
本书是针对，他迎合罗伦佐？梅迪西所写，后者即是本着作所要致献的人，一个按惯例策立的君王，一位传统的君王，且才刚重获权力。
theMagnificentLorenzo de’ Medici: not Lorenzo the Magnificent(1449–92) but Lorenzo, Duke ofUrbino (1492–1519).
尊贵的洛伦佐·德·美第奇：不是豪华者洛伦佐（1449-92），而是洛伦佐，乌尔比诺公爵（1492-1519）。
For example, he has a revisionist view of the Medici, stubbornly refusing to eulogise Cosimo or Lorenzo de’ Medici, the conventional heroes of popular histories of Renaissance Florence.
举个例子，他坚持修正关于美第奇家族的一个观点，拒绝称颂科西莫·美第奇(Cosimo)和洛伦佐·美第奇(Lorenzode’Medici)，尽管他们依照流行的历史观点被认为是佛洛伦萨文艺复兴时期的英雄。
He was a clever publicist and a faithful correspondent and he used to write letters to hid employer, Lorenzo DE 'Medici, to tell that old banker of all he had seen and heard.
他是一位聪明的公关和一名忠实的记者，他经常给他幕后的雇主——Lorenzode'Medici写信，告诉这位老年的银行家所有他看到的和听到的。
He was a clever publicist and a faithful correspondent and he used to write letters to hid employer, Lorenzo DE 'Medici, to tell that old banker of all he had seen and heard.
他是一位聪明的公关和一名忠实的记者，他经常给他幕后的雇主——Lorenzode'Medici写信，告诉这位老年的银行家所有他看到的和听到的。
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