Ever since 1550, when Giorgio Vasari published his lives of the Renaissance masters, artists have been a rewarding subject.
自1550年乔尔乔·瓦萨里出版《艺苑名人传》记述文艺复兴时期诸位大师的生活之时起，艺术家一直是一个回报颇丰的题材。
Giorgio Vasari in his Lives of the Artists (1550) rarely praises an artist except comparatively - to be good, in his book, is to be better than someone else.
Giorgio Vasari在其《艺苑名人传》(1550年)很少赞扬某位艺术家，除非是相较之下比他人的较好。
The period had no Giorgio Vasari, the Renaissance artist who publicised the magnificent achievements of his contemporaries; his book, “The Lives of the Artists”, is still widely read.
这一时期没有乔治奥•瓦萨里这样的人物，这位文艺复兴艺术家传播了与他同时代的伟大成就；他的著作《艺苑名人传》至今仍被广为阅读。
The period had no Giorgio Vasari, the Renaissance artist who publicised the magnificent achievements of his contemporaries; his book, “The Lives of the Artists”, is still widely read.
这一时期没有乔治奥•瓦萨里这样的人物，这位文艺复兴艺术家传播了与他同时代的伟大成就；他的著作《艺苑名人传》至今仍被广为阅读。
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