Chapter Five studies the narrative poetry in Wei-Jin South and North Dynasties.
第五章对魏晋南北朝叙事诗进行研究。
The novel indicates a beginning of new narrative poetry initiated by Pushkin in Russia.
这部小说标志着普希金建立俄罗斯新叙事结构诗学的开端。
Chinese narrative poetry has uniqueness in respect of plot chosen, different from that of Western epic poetry.
中国叙事诗在情节上有不同于西方史诗的独特性质。
The construction of contemporary Chinese narrative poetry studies should be on the basis of narrative works by great contemporary novelists.
中国现代叙事诗学的建构，不能缺少现代小说大师的叙事实践。
At last, it studies the narrative poetry of men of letters represented by Nineteen Stories from perspective of subject type and narrative modes.
最后对以《故事十九首》为代表的文人叙事诗从题材类型和叙事模式方面进行研究。
Narrative poetry not only has the general features as poetry, such as rhythm and style, but also contains the narrative elements, such as speech, plots and structure.
叙事诗既有一般诗歌在音律和文体方面的特点，又在言语、情节、结构等方面有着独特的叙事特征。
From this point, the thesis attempts to apply the theory of narratology to the translation practice of narrative poetry, aiming to propose a new method to the poem translation practice and criticism.
由此，本文尝试把叙事学理论应用到叙事诗的翻译实践中，旨在为诗歌的翻译实践和翻译批评提供一种新的视点。
On this basis, China's popular music in the text and the subject have taken place in the form of levels from the "grand narrative" to "Living story", from "Poetry" to "the story of" change.
在此基础上，我国流行音乐在文本的主题和形式层面发生了从“宏大叙事”到“生活物语”，从“诗歌化”到“故事化”的转变。
The second part begins by discussing its poetry form, mainly about the narrators gathering, the language statement and the comprehensive use of narrative literature main elements respectively.
第二部分从形式上的表现入手，对叙事者的集中登场、语言的陈述化和叙事文学要素的综合运用分别进行了论述。
Poetry can be divided into three types: narrative(ballard, epic, etc), dramatic, lyric.
诗歌可分为三种类型：叙事（巴拉德、史诗等），戏剧性，抒情。
The second chapter analyzes the intertextuality in the novels'structure and imagination; and compares different kinds of narrative and lyrical methods with each other in Pasternak's novels and poetry.
第二章分析小说文本与诗歌文本在结构和意象上的互文，比较分析小说和诗歌两种不同题材的叙事和抒情方式。
My point of departure is thus to examine Yuan's and Bo's theoretic and practical contribution to the development of narrative mode in Chinese poetry.
因此本文系以探讨元、白对于中国诗歌的叙事模式在理论与实践上的成就为出发点。
Tang and Song poetry reflect its obvious narrative features because of being influenced by the generation context, promulgation scope, and the tradition of Chinese classical poetry.
受生成语境、传播范围、中国古典诗歌叙事传统等因素的影响，唐宋词表现出鲜明的叙事性风貌。
Tang and Song poetry reflect its obvious narrative features because of being influenced by the generation context, promulgation scope, and the tradition of Chinese classical poetry.
受生成语境、传播范围、中国古典诗歌叙事传统等因素的影响，唐宋词表现出鲜明的叙事性风貌。
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