Inner aesthetic is sense aesthetic which is based on aesthetic object and media of audio and visual properties.
内审美是相对于建立在审美对象基础上的、以耳目视听为媒介的感官型审美的内在精神型审美。
The unstable foundation of subject construction of educational aesthetics is the result caused by its vague relationship on the research object with aesthetic pedagogy.
教育美学因与审美教育学在研究对象关系上含混不清，导致学科建设基础不稳。
Aesthetic activity is a kind of creation based on multi-level relations as a whole, that is, the levels of aesthetics in subject, object, time and space, and historical illuviation.
审美活动是审美主体层、审美客体层、审美时空层、审美历史积淀层等多层面整体关系的创造；
Such awareness is usually a fuzzy object on aesthetic of the overall picture of the show, not rigidly adhere to certain details.
这种认知通常是一个关于审美对象模糊的整体图景的显现，并不拘泥于某一细节。
Both the Chinese ancient theory of Wugan and western modern empathy theory explore the problems, which include the relation between subject and object, the source of aesthetic feeling, and so on.
中国古代的物感说和西方近代的移情说都探讨了文艺创作中的主客关系及其美感源泉等问题。
It, on account of the given historical background, has supplied modern translated literature with romantic, aesthetic resources distinguished by the combination of subject and object.
这一批评观在注重翻译文学的语言学和语文学特征的基础上，为现代翻译文学注入了以主体与客体相契合为特质的浪漫主义审美资源。
This article deals with the empathic phenomenon in musical aesthetic perception on the dual direction. emotional movements from creative subject, aesthetic object and aethetic subject of music.
音乐创作和欣赏中存在着主客体双向互动的情感因素，正是这种移情因素使音乐展示了迷人的魅力。
This article deals with the empathic phenomenon in musical aesthetic perception on the dual direction. emotional movements from creative subject, aesthetic object and aethetic subject of music.
音乐创作和欣赏中存在着主客体双向互动的情感因素，正是这种移情因素使音乐展示了迷人的魅力。
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