Right now, we are deep into Philip Pullman's The Golden Compass.
现在，我们正深入探讨菲利普·普尔曼的《黄金罗盘》。
"Visual effects was the mostly British team behind" the Golden Compass.
视觉效果给了《黄金物质：黑暗罗盘》背后的主要是英国人的团队。
Director Chris Weitz proves that The Golden Compass was no fluke: he really is a non-master of action.
《新月》的导演克里斯·韦兹证明了《金色罗盘》的败笔并非偶然：他确实搞不定动作片。
Actually "the Golden Compass" is the North American version of its title, but it's somehow more well-known than the original British title Northern Lights.
“黄金罗盘”其实是该书北美版的标题，却不知为何比英国版标题《北方之光》更为人熟知。
And I was sad that, for Americans, Philip Pullman's evocative "Northern Lights" became the tedious "Golden Compass".
而我为美国人也感到难过，菲利普·普尔曼令人回想的《北极之光》现如今也变成了单调乏味的《黄金罗盘》。
She had not felt the wand spin like the needle of a compass and shoot golden flames at his enemy.
但她错了，他的情况不同，她没有感觉过那魔杖像指南针般地旋转，向他的敌人发射金色火焰。
She had not felt the wand spin like the needle of a compass and shoot golden flames at his enemy.
但她错了，他的情况不同，她没有感觉过那魔杖像指南针般地旋转，向他的敌人发射金色火焰。
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