Chinese Painting of the "development" but far away, and the Chinese culture very different from Western art theory, find a way out is a dead end.
中国画的“生长”反而舍近求远，从与中国文化截然不同的西方艺术理论中寻找出路是死路。
Landscape painting, landscape poet and landscape gardens are the components of the culture of Chinese landscape, which have the same theory basis.
山水画、山水诗、山水园林被认为是中国山水文化的组成部分，三者具有相同的思想基础。
Color ink painting from a single pigment out of … see "the concept of Chinese painting techniques updated with the new charms of" 32, "Xue Xuan Lin art theory, " 30 pages.
颜色从单一的墨的国画颜料中走出……见《中国画观念更新与技法新探》32页、《薛宣林艺术论》30页。
Materialist dialectics are embodied in the epistemological theory in Chinese painting, which can be found in the composition and brushwork of pictures.
本文认为国画具体地体现着阴阳辩证法，它集中地表现为“象”与“意”的关系，又具体实现在辩证的构图和技法中。
Landscape painting is a main part of Chinese painting, and the theory of landscape painting is also an important part of Chinese academic history.
山水画乃中国绘画之大宗，山水画理论也是中国学术史的重要组成内容。
There is a long history in the process of the development of Chinese painting esthetics and there is both a theory and a practice value of its own.
中国古代绘画美学源远流长，在理论和实践两方面都有重要的价值。
So at the history of Chinese painting, find the system that can be used from the murals in the detailed theory of writing is relatively small.
所以在中国绘画史中，找到系统的从壁画中可运用的详细理论著述比例相对太小。
Chinese painting has established a unique visual theory to break through the limitations of time and space with highly sentimental imagery.
中国绘画建构了独特的透视理论，大胆而自由地打破时空限制，具有高度的情境想像。
Although they have made some artistic achievements, developed some new techniques, but did not solve the fundamental theory of Chinese painting from the innovation and development.
虽然他们在艺术上也获得了必定的成绩，研究出一些新的技法，然而并未从理论上基本解决中国画的翻新与发展问题。
In Chinese art theory, it is said that poetry and painting share the same origin. For Chinese garden, it not only has the implication of poetry but also has the realm of painting.
在中国艺术论中，历来就有“诗画同源”之说，而中国园林既有诗的意蕴，也包含画的境界。
The imagery within Hong Ling's works present a planar simplicity along with overlapping strokes of texture, much like the "dense yet sparse" qualities of Chinese painting theory.
洪凌作品中的物象，有平面化的简洁，也有重叠笔触的肌理，正如中国画论中的“密不通风，疏可走马”。
Published Theories of Chinese Landscape Painting which includes not only Van's paintings but also some essays about the theory and practice of Chinese painting.
著“万一鹏山水画说”一书，除收录了万一鹏的作品外，更有很多论画细节及绘画的专题讨论；
Hope to be in theory and practice level, to present the creation of Chinese painting that brought inspiration for artistic creation, thought to provide a new perspective.
希望能在理论与实践层面上，给当下的中国画创作带来一点启示，为艺术创作提供一个新的思索角度。
The new perspective can help us to research new Chinese Painting more thoroughly. moreover, it can offer us lively and vivid information to study the theory of Lingnan Painting School.
这种新的研究视角可以使我们对新国画艺术的研究更加深入，同时也能够为岭南画派的研究提供生动而形象的资料。
"Lin Quan Gao Zhi" is a very important theory book in the history of Chinese landscape painting, it's a book written by Guo -si According to his father Guo -xi's remarks in the Bei -song Dynasty.
《林泉高致集》是中国山水画史上极为重要的一部理论著作，其成书于北宋，由郭思根据其父郭熙生前言论整理而成。
"Lin Quan Gao Zhi" is a very important theory book in the history of Chinese landscape painting, it's a book written by Guo -si According to his father Guo -xi's remarks in the Bei -song Dynasty.
《林泉高致集》是中国山水画史上极为重要的一部理论著作，其成书于北宋，由郭思根据其父郭熙生前言论整理而成。
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