"The best way to think about reality," the narrator of "the Wind-Up Bird Chronicle" declares, is "to get as far away from it as possible."
“对现实的思考，”《上发条鸟记事》中的主人公曾声称“最好的方法是尽可能的远离现实”。
But few novels can have been as hard to rework as "The Wind-Up Bird Chronicle", Haruki Murakami's surreal and unwieldy 600-page exploration of fear.
没有几本小说能像村上春树的《奇鸟行状录》——洋洋洒洒六百多页对恐惧的超现实主义且难以处理的探索——一样难以被改编。
The three books in The Wind-up Bird Chronicle are named after a Rossini overture, a piano piece by Schumann and a character in Mozart’s Magic Flute respectively.
《发条鸟纪年》中的三本书分别是罗西尼序曲，舒曼的一只钢琴曲以及莫扎特《魔笛》中的一个人物。
The three books in The Wind-up Bird Chronicle are named after a Rossini overture, a piano piece by Schumann and a character in Mozart's Magic Flute respectively.
《奇鸟形状录》中三本书的命名分别来自：罗西尼序曲，罗伯特·舒曼的钢琴曲和莫扎特《魔笛》中的一个角色。
After the success of his first twobooks, Murakami became a full-time writer, producing a prolific body of workincluding “A Wild Sheep Chase” and “The Wind-Up Bird Chronicle.”
在他的前两本小说获得成功后，村上成为一名专职作家，著作等身，比如《寻羊冒险记》、《奇鸟行状录》等。
After the success of his first twobooks, Murakami became a full-time writer, producing a prolific body of workincluding “A Wild Sheep Chase” and “The Wind-Up Bird Chronicle.”
在他的前两本小说获得成功后，村上成为一名专职作家，著作等身，比如《寻羊冒险记》、《奇鸟行状录》等。
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