Under these circumstances the theory of proportions had to be oriented towards new goals.
这样，比例理论需要寻求新的目标。
This final development of the theory of proportions corresponds, however, to the general evolution of art itself.
这个比例理论的最终阶段应验了艺术自身演化过程。
This high evaluation of the theory of proportions was, however, not always matched by a readiness to perfect its methods.
然而，在对于比例理论如此之高的评价之下并没有相应的完美方法。
However, in so far as the mediaeval theory of proportions followed the line of harmonistic cosmology, it had no relation to art;
然而，只要中世纪的比例理论遵循这个和谐宇宙观，它便与艺术毫无瓜葛；
One might assert that the theory of proportions expresses the frequently perplexing concept of the Kunstwollen in clearer or, at least, more definable fashion than art itself.
可以说，比例理论将时常困惑的艺术意图做出了比艺术本身更为清晰、或者至少更明确的表达。
The anthropometric and organic character of the classical theory of proportions is intrinsically connected with a third characteristic, its pronouncedly normative and aesthetic ambition.
古典比例理论的人体测量学和有机性的特点还与第三个特征有着内在联系，即原则与美学上的雄心。
The anthropometric and organic character of the classical theory of proportions is intrinsically connected with a third characteristic, its pronouncedly normative and aesthetic ambition.
古典比例理论的人体测量学和有机性的特点还与第三个特征有着内在联系，即原则与美学上的雄心。
应用推荐