In Tristan and Isolde, this release from life is achieved by the self-sacrificial love of a woman who is prepared to share her lover’s non-existence and unite with him in death.
在瓦格纳歌剧“特里斯坦与伊索尔德”中，生命的的释放是由一个女人自我牺牲的爱来完成的，她准备好分享她所爱之人的虚无，并与他在死亡中结合。
As a teenager he played Wagner's Tristan und Isolde in a piano duet; and he also played it when in a grip of madness in January 1889 in Turin.
他十几岁的时候就会弹奏瓦格纳的歌剧“特里斯坦与伊索尔德”中的钢琴二重奏，甚至在他癫狂于1889年1月的都灵之时，也仍然会弹奏一曲。
And the words the lovers' use in their love duet is no more Tristan no more Isolde, that old persons don't exist is this new merged unity they have become.
而情人在他们的爱情二重唱中使用的言语，不是特里斯坦也不是伊索尔德，老人，在新成为的结合中并不存在。
While yet aware of the impropriety of it, Isolde and Tristan fail to harness the mounting escalating magical power of love.
虽然知道十分不应该，伊索尔德与特里斯坦却无力按抑抗拒益发澎湃的爱情魔力。
As a fierce battle between the British and Irish erupts, Marke takes Tristan who is on the verge of death to the waterside to meet the waiting Isolde. Marke immediately returns to lead the battle.
当一场恶战在英格兰与爱尔兰之间爆发，马克王带奄奄一息的特里斯坦去到水边与等候在那的伊索尔德相会，马克王随即折返麾兵作战。
As a fierce battle between the British and Irish erupts, Marke takes Tristan who is on the verge of death to the waterside to meet the waiting Isolde. Marke immediately returns to lead the battle.
当一场恶战在英格兰与爱尔兰之间爆发，马克王带奄奄一息的特里斯坦去到水边与等候在那的伊索尔德相会，马克王随即折返麾兵作战。
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