从“微型对话”的叙述方式解读《伤逝》,它在复调意义上具有一种朝向内部的对话性。 即人物自身的双重性构成了微型对话叙述方式,后者反过来透露出人物冲突的双重性格。
The paper analyses lamenting over the dead from the narrative style of "miniature dialogue" and considers it to have the inherent dialogic quality based on polyphony.
从“微型对话”的叙述方式解读《伤逝》,它在复调意义上具有一种朝向内部的对话性。 即人物自身的双重性构成了微型对话叙述方式,后者反过来透露出人物冲突的双重性格。
The paper analyses lamenting over the dead from the narrative style of "miniature dialogue" and considers it to have the inherent dialogic quality based on polyphony.
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